Alec Murray b. 1917 Adelaide, South Australia, Adelaide?, South Australia

  • Artist (Photographer)
Australian fashion photographer who lived at Merioola in Sydney in the 1940s before moving to Swinging London.
Name
Alec Murray
Birth date
1917
Birth place
Adelaide, South Australia, Adelaide?, South Australia
Birth note
Place uncertain
Death date
2002
Death place
London, England, UK
Gender
Male
Roles
  • Artist (Photographer)
Residence
  • c.1965- c.2002 Wilton Street, Belgravia, London, England, UK
  • c.1965- c.2002 Newbury, Berkshire, England, UK
  • 1948- 2002 London, England, UK
  • c.1945- c.1948 Merioola, Rosemount Avenue, Woollahra, Sydney, New South Wales
Cultural Heritage
  • English
Languages
  • English
Is Indigenous
No
Initial Record Data Source
  • Legacy data. Source 'unknown'

Photographer, was born in 1917, son of the English film star Madge Campbell and her husband Douglas Murray (whom she met when he was at Cambridge) of a well-known South Australian pastoral family that lived on a property called Murray Park – now the Adelaide suburb of that name. He was educated at St Peter’s College, Adelaide and at Cambridge then spent some time as a jackaroo, despite having absolutely no interest in rural life. Instead he was keen on photography, painting and drawing so drove to Sydney to work as an artist and never returned to Adelaide. In 1947 Ure Smith published his Alec Murray’s Album , a collection of portraits of Sydney society, diplomats, dancers and painters ('friends’) who included the young Kerry Packer sitting by a fish pond, the dress designer Luciana Arrighi and her sister Marcella, journalist David McNicoll, decorator Lesley Walford and lots of glamorous women. Many of the photographs were taken at Merioola, a large boarding house in Rosemount Avenue, Woollahra owned by Chicka Lowe (see Christine France, 1986) where lots of avant-garde artists lived, including Donald Friend , Justin O’Brien, Loudon Sainthill and Jocelyn Rickards. Murray lived in the stables.

He left Australia the year after the book was published and was joined in London by Rickards and Harry Tatlock Miller, later by Sainthill. They all found it difficult to get work in Britain but Murray got a job as a photographer for a magazine called Illustrated and his salary supported the four of them in a small flat in South Kensington. Failing to enlist during WWII because he was diabetic, he talked the authorities into appointing him a photographer in the Royal Navy. Packing a quantity of insulin and secretly injecting himself twice a day, he went to the Pacific Islands. 'Brave, but mad’, his wife later commented.

By 1951 Murray had his own London studio and his first commission from Paris Match . He covered the Coronation for the magazine and was its London photographer for more than a decade. From the mid-1950s until the late 1960s he drove his two-toned Rolls Royce coupe to Paris twice a year for the fashion collections (see also Louis Kahan earlier from Austria), working for the London Daily Telegraph , the Sunday Times and the Australian Women’s Weekly . At the end of each day his assistant Mike Martin would print the black and white photos in the hotel room, washing them in the bidet then ferrying them to the Qantas airbag and direct to the Women’s Weekly . During the 1960s he met and later married the model Sue Robins, who was to become a leading fashion stylist and costume designer. They bought a small cottage near Newbury in Berkshire as a weekend retreat from their elegant Belgravia house – hung with pictures of Murray Park’s finest merinos – where they went every Friday with their small dogs, Adelaide and Sydney. Occasionally they travelled to Sydney to stay with Murray’s oldest friend, the painter Margaret Olley .

Murray retired in 1985. His photographs were rarely exhibited publicly but rather displayed in silver picture frames on grand pianos in private homes, said Julia Clark, until Clark curated the National Portrait Gallery exhibition High Society at the NLA in 1995. In 2001 a retrospective entitled Alec Murray’s Album was mounted at the National Trust SH Ervin Gallery in Sydney; it was on view at Mornington Peninsula Regional Gallery, Victoria, when Murray died in 2002.

Writers:
Kerr, Joan
Date written:
1999
Last updated:
2011
associate of
Donald Friend
1915
Artist
associate of
Justin O'Brien
1917
Artist
associate of
Loudon Sainthill
1918
Artist, Artist (Painter)
associate of
Margaret Olley
1923
Artist
associate of
Luciana Arrighi
Non-Artist/Designer/Curator
associate of
Marcella Arrighi
Non-Artist/Designer/Curator
associate of
Kerry Packer
Non-Artist/Designer/Curator
associate of
David McNicoll
Non-Artist/Designer/Curator
associate of
Lesley Walford
1927
Designer (Architect / Interior Architect / Landscape Architect)
child of
née Campbell Madge Murray
Non-Artist/Designer/Curator
child of
Douglas Murray
Non-Artist/Designer/Curator
associate of
Chicka Lowe
Non-Artist/Designer/Curator
associate of
Jocelyn Rickards
Non-Artist/Designer/Curator
associate of
Harry Tatlock Miller
Non-Artist/Designer/Curator
associate of
Mike Martin
Non-Artist/Designer/Curator
spouse of
née Robins Sue Murray
Non-Artist/Designer/Curator
associate of
James Charles Bancks
1889
Artist (Cartoonist / Illustrator)
associate of
Merioola
Non-Artist/Designer/Curator
Citations:
  • (2001), Alec Murray's Album, (Place: Sydney, NSW : National Trust of Australia (NSW) S.H. Ervin Gallery)
  • France, Christine, (1986), Merioola and after, (Place: Sydney, NSW : National Trust of Australia (NSW) S.H. Ervin Gallery)
  • Clark, Julia, (1995), High Society : society portraiture and photographers 1920-1960, (Place: Canberra, ACT : National Library of Australia)
  • Owens, Susan, (24 July 2002), 'Styish seer left the desert, found fame', (Place: Sydney Morning Herald, 34 (obituary, with Packer photograph and a terrific photo of the stylish Murray embracing the bottom half of a mannequin))