Arthur Boyd b. 1920

Also known as Arthur Merric Bloomfield Boyd
  • Artist (Painter), (Draughtsman)
A member of the gifted Boyd family, and grandson of his namesake, the painter Arthur Merric Boyd, Arthur first attended night classes at Melbourne's National Gallery School in 1935. After a period overseas, Boyd returned to Australia and bought a property at Bundanon in NSW where he would paint some of his most famous landscape paintings.
Name
Arthur Boyd
Also known as Arthur Merric Bloomfield Boyd
Birth date
24 July 1920
Death date
24 April 1999
Death place
Melbourne, Vic.
Gender
Male
Roles
  • Artist (Painter)
  • Artist (Draughtsman)
Residence
  • c.1993- c.1999 Melbourne, Vic.
  • 1920- 1959 Victoria
  • 1959- 1971 Sussex, England
  • 1971- 1993 Bundanon, Shoalhaven, NSW
Active Period
  • c.1935- c.1993
Cultural Heritage
  • Irish
  • English
Languages
  • English
Training
  • 1935 National Gallery Art School, Melbourne, Vic.
  • 1936- 1939 (Studied with his grandfather, Arthur Merric Boyd)
Is Indigenous
No

Arthur Boyd was born at Murrumbeena, Victoria, on 24 July 1920, the son of the potter, sculptor and painter, Merric Boyd . He attended night classes at the National Gallery School, Melbourne, in 1935, and from 1936 to 1939 painted with his grandfather, Arthur Merric Boyd, with whom he lived in his cottage at Rosebud on the Mornington Peninsula.

Boyd was conscripted following the outbreak of the Second World War and served in the Army Survey Corps from 1941 to 1944. After the war he established the Arthur Merric Boyd Pottery Workshop at Murrumbeena, with John Perceval and Peter Herbst. He turned for inspiration to the Bible, as a means of expressing something of the horror of the war. During the 1950s he painted poetic views of the luminous Wimmera landscape. In 1957 he began his Half-Caste Bride series of paintings, raising contentious issues about the assimilation of mixed-blood Aboriginals.

Following his father’s death in 1959 Boyd moved to England, to Sussex where he mostly lived. But his imagery remained tied to his Australian background, conveying an inner emotional vision rather than describing the external world; telling stories which symbolise human passions such as love, wickedness and aggression, often located within bush settings. He returned to Australia in 1971 and later bought a property at Bundanon on the Shoalhaven River, in southern New South Wales, where he painted many of his later landscapes. Arthur Boyd gave a large collection of approximately 200 paintings, 1000 drawings and about 800 prints as well as sculptures, ceramics and tapestries to the National Gallery of Australia in 1975. In 1993 the Boyd family gifted to Australia his studio and 405 hectares of property at Bundanon.

Arthur Boyd died on 24 April 1999 in Melbourne.

Writers:
Gray, Dr Anne
Date written:
2006
Last updated:
2011
grandchild of
Senior Arthur Merric Boyd
1862
Artist (Painter)
child of
Merric Boyd
1888
Artist
associate of
John Perceval
1923
Artist (Painter), Artist (Ceramist)
brother-in-law
grandchild of
Emma Minnie Boyd
1858
Artist (Painter)
associate of
Bernard Smith
Non-Artist/Designer/Curator
associate of
Peter Herbst
Non-Artist/Designer/Curator
associate of
Alan McCulloch
Artist
associate of
Yosl Bergner
1920
Artist (Painter)
associate of
John Reed
Non-Artist/Designer/Curator
associate of
Sunday Reed
Non-Artist/Designer/Curator
sibling of
Guy Boyd
1923
Artist (Sculptor)
parent of
Jamie Boyd
1948
Artist (Painter), Artist (Printmaker)
sibling of
David Boyd
1924
Artist (Painter), Artist (Printmaker), Artist (Ceramist)
associate of
Anna Glynn
1958
Artist (Installation Artist), Artist (Video Artist), Artist (Theatre / Film Designer), Artist (Performance Artist), Artist (Mixed Media Artist), Artist (Draughtsman), Artist (Printmaker), Artist (Sculptor), Artist (Painter)
associate of
Joy Hester
1920
Artist
associate of
Sidney Nolan
1917
Artist (Mixed Media Artist), Artist (Theatre / Film Designer), Artist (Draughtsman), Artist (Painter)
associate of
John Olsen
1928
Artist (Painter), Artist (Printmaker), Artist (Cartoonist / Illustrator), Designer, Artist (Ceramist)
associate of
Robert Owen
1937
Artist (Painter), Artist (Industrial / Product Designer), Artist (Installation Artist), Artist (Sculptor)
friend of
Albert Tucker
1914
Artist (Painter), Artist (Photographer), Artist (Ceramist)
associate of
Brett Whiteley
1939
Artist (Painter), Artist (Draughtsman), Artist (Ceramist), Artist (Cartoonist / Illustrator), Artist (Mixed Media Artist)
associate of
Fred Williams
1927
Artist (Painter), Artist (Printmaker)
associate of
Arthur Merric Boyd Pottery Workshop
Non-Artist/Designer/Curator
Adelaide's Boyds
2000
Exhibition (exhibited at)
Art Gallery of South Australia, Adelaide, SA
Arthur Boyd retrospective
1994
Exhibition (exhibited at)
Art Gallery of NSW, Sydney, NSW
Arthur Boyd: paintings 1973-1988
1988
Exhibition (exhibited at)
National Gallery of Australia, Canberra, ACT
The Australian Landscape
1972- 1973
Exhibition (exhibited at)
Art Gallery of South Australia, Adelaide, SA
"The Australian Landscape" was a national touring exhibition organised by the Australian Gallery Directors' Council in 1972. The organising gallery was the Art Gallery of South Australia, and the curators were Daniel Thomas (Art Gallery of New South Wales) Ian North (Art Gallery of South Australia) and Frances McCarthy [later Lindsay] (National Gallery of Victoria). Generous funding from the Peter Stuyvesant foundation enabled the curators to travel the country together in order to make considered judgements. The exhibition opened at the Art Gallery of South Australia on 3 March 1972, and toured to the Western Australian Art Gallery, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Australian National Gallery (temporary premises), Art Gallery of New South Wales, Newcastle City Art Gallery, and the Queensland Art Gallery. The catalogue introduction claims that the exhibition comprised of 'fifty-five of the best Australian landscapes ever executed'. It was characterised by a breadth of vision, with works from every state – including regional galleries and private collections. It is distinguished by having a greater emphasis on colonial works than previous exhibitions, and elevating the reputation of Eugene Von Guerard and John Glover. There were only two works by women – Grace Cossington Smith and Margaret Preston– and none by any Aboriginal artist.
1960
Exhibition (exhibited at)
Zwemmer Gallery, London, England
Venice Biennale
1958
Exhibition (exhibited at)
Venice, Italy
ALSO: 1988
Recognitions
Citations:
  • McKenzie, Janet, (2000), Arthur Boyd: Art & Life, (Place: London, England: Thames & Hudson)
  • Pearce, Barry, (1994), Arthur Boyd retrospective, (Place: Sydney, NSW: Art Gallery of New South Wales)
  • Gunn, Grazia, (1988), Arthur Boyd: paintings 1973-1988, (Place: Canberra, ACT: National Gallery of Australia)
  • Hoff, Ursula, (1986), The Art of Arthur Boyd, (Place: London, England: Andre Deutsche)
  • Gunn, Grazia, (1986), Arthur Boyd: seven persistent images, (Place: Canberra, ACT: National Gallery of Australia)
  • Tadgell, Christopher, (1973), Arthur Boyd - drawings 1934-1970, (Place: London, England: Secker and Warburg)
  • (1967), Arthur Boyd, (Place: London, England: Thames and Hudsonurl: Philipp, Franz)
  • National Gallery of Australia, Canberra, ACT, (Head of Australian Art, National Gallery of Australia, Canberra, ACT)
  • Phillipp, Franz, (1967), Arthur Boyd, (Thames & Hudson, London), Type: book
  • Thomas, D., North, I., & McCarthy F., (1972), The Australian Landscape, (Published by the Art Gallery of South Australia), Type: catalogue
  • McCulloch, Alan; & McCulloch, Susan, (1994), Encyclopedia of Australian art, (Place: St Leonards, NSW : Allen & Unwin, 1994)