E. Phillips Fox b. 1865 Melbourne, Vic.

Also known as Emanuel Phillips Fox
  • Artist (Painter)
Painter and husband of fellow artist Ethel Carrick Fox, E. Phillips Fox studied at the National Gallery School in Melbourne in the late 19th century with fellow students including Rupert Bunny, Tom Roberts, Arthur Streeton and Tudor St George Tucker.
Name
E. Phillips Fox
Also known as Emanuel Phillips Fox
Birth date
12 March 1865
Birth place
Melbourne, Vic.
Death date
8 October 1915
Death place
Melbourne, Vic.
Gender
Male
Roles
  • Artist (Painter)
Residence
  • Melbourne, Vic.
Active Period
  • c.1878- c.1886
Cultural Heritage
  • Jewish
Languages
  • English
Training
  • 1878- 1886 National Gallery School, Melbourne, Vic.
Is Indigenous
No

Australian painter and teacher, E. Phillips Fox was born in Melbourne on 12 March 1865, the son of a Jewish photographer and an artist mother. His father left home in 1866 and his mother remained central to an exceptionally closely knit family. He studied at the National Gallery School, Melbourne, from 1878 to 1886, where fellow students included Rupert Bunny , Florence Fuller , John Longstaff, Frederick McCubbin and Tudor St George Tucker . From 1881 to 1887, he taught evening classes at an artisans’ school of design and, from 1885, he joined Tom Roberts on weekend painting excursions around Melbourne.

In 1887 Fox left for Europe, where he studied in Paris from 1887 to 1889 at the Académie Julian and at the Ecole des Beaux-Arts from 1889 to 1890 under Jean-Léon Gérôme, supported by his brothers Joel and Philip. In 1889 Fox also joined the afternoon class of the American artist-teacher Alexander Harrison. Fox met up with Bertram Mackennal, John Longstaff, John Peter Russell and Tudor St George Tucker and, in the summers, painted at the artists’ communities at Etaples in Picardy with Tucker and Iso and Alison Rae, and also in Britanny. During 1890 and 1891, he moved to the artists’ colony at St Ives, Cornwall. He copied Velasquez’s works in Madrid in 1891 and visited the countryside near Paris.

Fox returned to Melbourne in 1892, where he chiefly painted portraits and landscapes. In 1893, Fox and Tucker opened the Melbourne School of Art, where they introduced students to French teaching practices and promoted the plein air painting approach at their outdoor summer school, held from about 1894 at Charterisville, near Eaglemont. In 1901, Fox left for London, having been commissioned to paint The landing of Captain Cook at Botany Boy (National Gallery of Victoria, Melbourne), which he was required to paint overseas. He spent time in London and revisited the artists’ colony at St Ives, where he met Ethel Carrick, whom he married in 1905. In London he met up with George Coates , George W. Lambert , Hugh Ramsay, Tom Roberts , Arthur Streeton and Tudor St George Tucker. Fox and Carrick lived in Paris until 1913, and became good friends with Rupert Bunny and his wife. He was elected sociétaire of the Société Nationale des Beaux-Arts in 1910. Fox and Carrick travelled widely in Europe, and visited Algiers in 1911, where they painted Arab scenes. Fox mainly painted elegant women and family groups, in which he captured sunlight effects and conveyed the graceful languor of the Edwardian era. Fox and Carrick visited Australia in 1908 and again in 1913 when, at the outbreak of war, they cancelled their plans to return to Europe.

E. Phillips Fox died of cancer in hospital in Melbourne on 8 October 1915, aged 50.

Writers:
Gray, Dr Anne Note: Head of Australian Art, National Gallery of Australia, Canberra, ACT
Date written:
2006
Last updated:
2011
spouse of
Ethel Carrick Fox
1872
Artist (Painter)
associate of
Tom Roberts
1856
Artist (Photographer), Artist (Printmaker), Artist (Sculptor), Artist (Cartoonist / Illustrator), Artist (Draughtsman), Artist (Painter)
associate of
Rupert Bunny
1864
Artist
associate of
Florence Fuller
1867
Artist (Painter)
associate of
Sir Bertram Mackennal
1863
Artist (Sculptor)
associate of
George Coates
1869
Artist (Draughtsman), Artist (Painter)
associate of
George Lambert
1873
Artist (Cartoonist / Illustrator), Artist (Painter)
associate of
John William Ashton
1881
Artist (Printmaker), Artist (Painter)
associate of
John Carter
1821
Designer (Weaver), Designer (Painter)
At the age of 15 after E Phillips Fox matriculated he took Drawing Lessons from John Carter, Artist and Teacher of Drawing.
associate of
Norman St Clair Carter
1875
Artist (Painter), Artist (Glass & metal Artist / Designer)
associate of
Charles Hubert De Castella
1825
Artist (Painter), Artist (Draughtsman)
associate of
Cyril Gibbs
1906
Artist (Painter)
associate of
Sara Levi
1870
Artist, Artist (Painter)
associate of
Sir John Longstaff
1861
Artist (Painter)
associate of
Cyrus Mason
1829
Artist (Cartoonist / Illustrator), Artist (Printmaker), Artist (Painter)
associate of
Bertha E. Merfield
1869
Artist (Painter)
associate of
Ambrose Patterson
1877
Artist (Cartoonist / Illustrator), Artist (Printmaker), Artist (Painter)
associate of
Hugh Ramsay
1877
Artist (Painter)
associate of
John Peter Russell
1858
Artist (Painter)
associate of
Arthur Streeton
1867
Artist (Draughtsman), Artist (Printmaker), Artist (Painter)
associate of
Violet Teague
1872
Artist (Painter), Artist (Printmaker)
associate of
Tudor St. George Tucker
1862
Artist (Painter)
The Australian Landscape
1972- 1973
Exhibition (exhibited at)
Art Gallery of South Australia, Adelaide, SA
"The Australian Landscape" was a national touring exhibition organised by the Australian Gallery Directors' Council in 1972. The organising gallery was the Art Gallery of South Australia, and the curators were Daniel Thomas (Art Gallery of New South Wales) Ian North (Art Gallery of South Australia) and Frances McCarthy [later Lindsay] (National Gallery of Victoria). Generous funding from the Peter Stuyvesant foundation enabled the curators to travel the country together in order to make considered judgements. The exhibition opened at the Art Gallery of South Australia on 3 March 1972, and toured to the Western Australian Art Gallery, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Australian National Gallery (temporary premises), Art Gallery of New South Wales, Newcastle City Art Gallery, and the Queensland Art Gallery. The catalogue introduction claims that the exhibition comprised of 'fifty-five of the best Australian landscapes ever executed'. It was characterised by a breadth of vision, with works from every state – including regional galleries and private collections. It is distinguished by having a greater emphasis on colonial works than previous exhibitions, and elevating the reputation of Eugene Von Guerard and John Glover. There were only two works by women – Grace Cossington Smith and Margaret Preston– and none by any Aboriginal artist.
Citations:
  • National Gallery of Australia, Canberra, ACT
  • Moore, William, (1934), The Story of Australian Art, (Place: Sydney, NSW : Angus & Robertson (2 vols, facsimile reprint 1980))
  • Thomas, D., North, I., & McCarthy F., (1972), The Australian Landscape, (Published by the Art Gallery of South Australia), Type: catalogue
  • Zubans, Ruth, (1981), Fox, Emanuel Phillips, (Australian Dictionary of Biography), Type: article http://adb.anu.edu.au/biography/fox-emanuel-phillips-6228