painter, was born at The Grange, Harkaway, near Berwick, Victoria, fourth child of William A.C. a’Beckett and his wife Emma, née Mills. Emma Minnie (known as Minnie) was a natural artist (her mother and her sisters, including Constance a’Beckett , all painted), brought up in a highly cultivated family that made much of its connection with the saintly twelfth-century bishop St Thomas a’Beckett but chose to forget that Minnie’s maternal grandfather, the wealthy brewer John Mills, had been a 'Van-Demonian’ convict. The financial inheritance was welcomed by the genteelly-poor a’Becketts but the convict heritage was obviously a sore point with the family, being totally ignored by Minnie’s novelist son, Martin, in his otherwise overly-scrupulous family history.

After some art instruction at Madame Pfund’s school, and producing fine watercolours such as Interior with Figures, The Grange (1875) in her teens, Minnie studied at the National Gallery School (1876-77 and 1879-88) and is also said to have had private lessons with Louis Buvelot . Her career as an exhibitor began early. With the Victorian Academy of Arts she showed An Afternoon Nap in 1874, four watercolours ( Choosing a Book and four outdoor scenes) in 1875 and School Girls in 1882, then The Yarra at Heidelberg at the Victorian Jubilee Exhibition in 1884 and several watercolour drawings and a pair of painted terra-cotta plaques at the Colonial and Indian Exhibition in 1886—the year she married fellow artist Arthur Merric Boyd . Both Minnie and Arthur exhibited with the Australian Artists’ Association in 1887 and again in 1888 when it reorganised as the Victorian Artists’ Society (VAS). At the 1888-89 Melbourne Centennial International Exhibition, Minnie exhibited both oils and watercolours.

After the birth of their first two children, the Boyds travelled to England with Minnie’s parents in 1890. In June Minnie’s father bought the old a’Beckett family estate, Penleigh; in 1891 Minnie and Arthur each exhibited at the Royal Academy; in 1892, the family set off on a European tour; in 1893, they found that several Melbourne banks had failed and part of the Mills’ fortune was lost. They all (including two more children) returned to Melbourne in December.

The Boyds, whose allowance from the a’Becketts was now reduced, lived in Brighton and (from 1898) Sandringham, with Minnie giving painting lessons to supplement their income. They moved out of the suburbs in 1907, inheriting enough when Minnie’s mother died to buy a farm at Yarra Glen. Minnie continued to paint, but always as an amateur; she never sought to sell her paintings although she exhibited them. Her work was included in the 1898 Exhibition of Australian Art at the Grafton Galleries, London, and she continued to show her work with the VAS for many years.

Like many women artists of her generation, Minnie is remembered as the matriarch of a highly talented family rather than as an artist in her own right. Her work, from her early (sometimes pretty, sometimes astringent) domestic scenes to her later gentle landscapes, deserves greater attention. Apart from a few done in England (e.g. To the Workhouse 1891, NGV), her paintings give no hint of her own increasingly strict self-denial in the service of religion and charitable works. Emma Minnie Boyd died on 13 September 1936, back at Sandringham.

Exhibition History:

Miss a’Beckett’s Rock House and Campbell-street Bridge 1880 was exhibited in the Art Society of Tasmania’s Old Hobart exhibition of 1896. School Girls was shown at the Vic. Academy of Arts in 1882. At the Victorian Jubilee Exhibition (1884) she showed: 'Water Color Drawings – no.109 The Yarra at Heidelberg – Miss E.M. A’Beckett’.

She was a student at National Gallery Design School, Melbourne in 1885-86 and 1889.

In the Victoria Court at the 1886 Colonial and Indian Exhibition in London, the oil paintings included “A’Beckett, Miss Emma Minnie – 77 [sic] High Street, Prahran – one pair of terra-cotta plaques; Victorian Court – Water-colour Drawings – A’Beckett, Miss Emma Minnie – 79 [sic] High Street, Prahran – no.1 'Wattle Blossom, the Yarra, Heidelberg; no.2 'Homesick’; no.3 'A Study’.”

Exhibited at Australian Artists Association winter exhibition 1887: no.37 'The Window Seat’.

At the 1888-89 Melbourne Centennial International Exhibition (catalogued as both Mrs A. M. Boyd and Mrs E.M. Boyd) she won a Jury award in the Oil and Watercolour Painting section for On the Yarra, Kew (3rd order of merit), no.138 Victorian Artists’ Gallery. Her address was noted as Inkerman Street, St Kilda. A Mrs Boyd exhibited an oil painting in the Victorian Artists’ Gallery that year, no.101 A Lassie Yet .

Writers:

Callaway, Anita

Date written:

1995

Last updated:

2011