Hans Heysen b. 1877 Hamburg, Germany

  • Artist (Printmaker), (Draughtsman), (Painter)
German-born, Adelaide-based painter. Probably more than any other artist, Hans Heysen changed the way Australia saw the gum tree, as for many, many years his eye was closely trained on the landscape of his beloved Adelaide Hills and Flinders Ranges.
Name
Hans Heysen
Birth date
8 October 1877
Birth place
Hamburg, Germany
Death date
2 July 1968
Death place
Mt Barker, SA
Gender
Male
Roles
  • Artist (Printmaker)
  • Artist (Draughtsman)
  • Artist (Painter)
Residence
  • 1934 Europe
  • 1907 New Zealand (3 month painting trip )
  • 1904- 1968 South Australia
  • c.1899- c.1903 Paris, France
  • 1884- 1899 Adelaide, SA
  • 1877- 1884 Germany
Arrival
  • 1884 (Arrived Adelaide, SA)
Active Period
  • 1893- 1968
Cultural Heritage
  • German
Languages
  • English
Training
  • c.1899- c.1903 Ecole des Beaux Arts, Paris, France
  • c.1899- c.1903 Colarossi's Academy, Paris, France
  • c.1899- c.1903 Academie Julian, Paris, France
  • 1898- 1899 Adelaide School of Design, Adelaide, SA
Is Indigenous
No

Hans Heysen was born on 8 October 1877 in Hamburg, Germany. In 1884, at the age of six, he emigrated with his family to Adelaide, South Australia. He left school at 14 and worked for two years in a sawmill cum hardware business before joining his father’s produce business selling butter and eggs until 1898. While working he studied under James Ashton at his Norwood Art School from mid-1893 to late 1894, and again from early 1896 to late 1897.

From mid 1893, he spent each Sunday sketching outdoors in the Adelaide Hills with his friend Reg Comley. In 1898-99 he attended the South Australian School of Design under H.P Gill . In October 1899 Heysen travelled to Europe where he stayed for almost four years studying at the Academie Julian, the Academie Colarossi and the Ecole des Beaux Arts in Paris. He visited Holland, Scotland, England, and Italy. In January 1904, following his return to South Australia, Heysen opened a studio and art school in Adelaide. He spent three months painting in New Zealand in 1907.

In 1908 Heysen settled in Hahndorf in the Adelaide Hills where he lived for the rest of his life. He made the first of several visits to the Flinders Ranges in 1926. In 1934 he travelled again to Europe. For twenty-eight years from 1940-68 he was a member of the Board of the Art Gallery of South Australia. For many years he depicted rural labour in the enclosed landscape in his beloved Adelaide Hills and the unpeopled spaces of the Flinders Ranges. He died from a stroke on 2 July 1968 at Mt Barker, South Australia.

Writers:
Gray, Dr Anne Note: Head of Australian Art, National Gallery of Australia, Canberra, ACT
Date written:
2006
Last updated:
2011
associate of
James Ashton
1859
Artist (Cartoonist / Illustrator), Artist (Painter)
parent of
Nora Heysen
1911
Artist
associate of
Reg Comley
Non-Artist/Designer/Curator
associate of
Robert Barr Smith
Non-Artist/Designer/Curator
associate of
H.P Gill
Non-Artist/Designer/Curator
friend of
Lionel Lindsay
1874
Artist (Photographer), Artist (Cartoonist / Illustrator), Artist (Printmaker), Artist (Painter)
associate of
Norman Lindsay
1879
Artist
associate of
John William Ashton
1881
Artist (Printmaker), Artist (Painter)
associate of
Robert Hannaford
1944
Artist (Draughtsman), Artist (Sculptor), Artist (Painter)
associate of
Harold Septimus Power
1877
Artist (Cartoonist / Illustrator), Artist (Draughtsman), Artist (Painter)
associate of
W. Blamire Young
1862
Artist (Painter), Artist (Cartoonist / Illustrator), Artist (Draughtsman)
associate of
Art Gallery of South Australia, Adelaide, SA
Non-Artist/Designer/Curator
The Australian Landscape
1972- 1973
Exhibition (exhibited at)
Art Gallery of South Australia, Adelaide, SA
"The Australian Landscape" was a national touring exhibition organised by the Australian Gallery Directors' Council in 1972. The organising gallery was the Art Gallery of South Australia, and the curators were Daniel Thomas (Art Gallery of New South Wales) Ian North (Art Gallery of South Australia) and Frances McCarthy [later Lindsay] (National Gallery of Victoria). Generous funding from the Peter Stuyvesant foundation enabled the curators to travel the country together in order to make considered judgements. The exhibition opened at the Art Gallery of South Australia on 3 March 1972, and toured to the Western Australian Art Gallery, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Australian National Gallery (temporary premises), Art Gallery of New South Wales, Newcastle City Art Gallery, and the Queensland Art Gallery. The catalogue introduction claims that the exhibition comprised of 'fifty-five of the best Australian landscapes ever executed'. It was characterised by a breadth of vision, with works from every state – including regional galleries and private collections. It is distinguished by having a greater emphasis on colonial works than previous exhibitions, and elevating the reputation of Eugene Von Guerard and John Glover. There were only two works by women – Grace Cossington Smith and Margaret Preston– and none by any Aboriginal artist.
Citations:
  • Hylton, Jane and Neylon, John, (2004), Hans Heysen: Into the light, (Place: Adelaide, SA: Wakefield Press)
  • Robinson, Julie, (1992), Hans Heysen: The Creative Journey, (Place: Adelaide, SA: Art Gallery of South Australia catalogue)
  • North, Ian, (1977), Hans Heysen Centenary Retrospective, (Place: Adelaide, SA: Art Gallery of South Australia catalogue)
  • Thiele, Colin, (1968), Heysen of Hahndorf, (Place: Adelaide, SA: Rigby)
  • Driden, David, (1966), The Art of Hans Heysen, (Place: Adelaide, SA: Rigby)
  • 'Letters between Sir Hans Heysen and Harold J. Wright', (Place: National Library of Australia MS5073)
  • National Gallery of Australia, Canberra, ACT
  • Thomas, D., North, I., & McCarthy F., (1972), The Australian Landscape, (Published by the Art Gallery of South Australia), Type: catalogue