James Gow

  • Artist (Photographer)
Professional photographer who regularly showed at International Exhibitions in Paris and London.
Name
James Gow
Gender
Male
Roles
  • Artist (Photographer)
Residence
  • San Francisco, USA
  • 1868- 1873 40 Campbell Street, Sydney, New South Wales
  • 1868- 1873 32 Campbell Street, Sydney, NSW
  • 1858- 1867 410 George Street, Sydney, New South Wales
Other Occupation
  • photographer
Active Period
  • 1853- 1884
Languages
  • English
Is Indigenous
No
Initial Record Data Source
  • The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870

professional photographer, was probably the Mr Gow who came to Sydney from San Francisco via the Pacific Islands in 1853 and advertised with his partner Acley that daguerreotype 'portraits, miniatures, landscapes, and subjects of every description’, taken with 'the most improved American apparatus’, were available from their gallery above Mort’s auction rooms in Pitt Street, Sydney (occupied from June 1854 by Conrad Martens and Pierre Nuyts ). The firm of Gow & Acley produced a daguerreotype of John Rae from which an engraving was published in the Illustrated Sydney News of 17 December 1853. James Gow is known to have been working in Sydney by 1854 so seems the most likely partner; David and William Gow , presumably members of James’ family, were listed as Sydney photographers only in 1857.

In 1854 James Gow showed daguerreotype views of Government House and other public buildings at the Australian Museum Exhibition in preparation for the 1855 Paris Universal Exhibition. When shown in France these Sydney views and a daguerreotype portrait of an Australian Aborigine (mentioned only in the French edition of the catalogue) were awarded an Honourable Mention. Gow’s general view of the Sydney exhibition and its exhibits is known from an embellished lithograph (ML, Australian Museum) inscribed as being after a daguerreotype by Gow. The figures in the print were doubtless added. Even so, such a comprehensive interior view shows an unusual expertise and subject for this medium and date.

In 1861 James Gow had eight photographs in the Exhibition of the Natural and Industrial Products of New South Wales in preparation for the 1862 London International Exhibition. From 1858 to 1867 his studio was at 410 George Street, Sydney. He was listed at 32 Campbell Street from 1868 to 1873, afterwards at 40 Campbell Street (possibly just a renumbering). He also appears to have made tours to New South Wales’ country towns; a Mr Gow was working at Yass in 1870. James Gow was not again listed in Sydney until 1883-84, when a photographer of this name was at number 3, off Milk Street.

Writers:
Staff Writer
Date written:
1992
Last updated:
2011
associate of
Pierre Nuyts
Artist (Painter)
associate of
John Rae
1813
Artist (Photographer), Artist (Painter)
associate of
Conrad Martens
1801
Artist (Draughtsman), Artist (Printmaker), Artist (Painter)
relative of
William Gow
Artist (Photographer)
unknown
relative of
David Gow
Artist (Photographer)
unknown
associate of
Acley
Non-Artist/Designer/Curator
associate of
R. H. Acley
Artist (Photographer)
associate of
David Gow
Artist (Photographer)
associate of
Frederic Casemero Terry
1825
Artist (Printmaker), Artist (Cartoonist / Illustrator), Artist (Painter)
London International Exhibition
1862
Exhibition ()
London, England, UK
Exhibition of the Natural and Industrial Products of New South Wales
1861
Exhibition (exhibited at)
School of Arts, Sydney, New South Wales
Paris Universal Exhibition
1855
Exhibition ()
Paris, France
Exhibition of the Natural and Industrial Products of New South Wales
1854
Exhibition ()
Australian Museum, Sydney, NSW
Citations:
  • Davies, Alan and Stanbury, Peter, (1985), The Mechanical Eye in Australia: Photography 1841-1900, (Place: Melbourne, Victoria)