printmaker and socialist, was one of the 10 artists of the 'Melbourne Popular Art Group’ who produced a folio of 14 linocuts entitled Eureka 1854-1954 (Melbourne 1954) paying tribute to 'the stand of the Ballarat miners in the Eureka Stockade (copy TMAG). No.11, 'The Sentry’ (a miner guarding the flag at night) is by Carter while no’s 2 (“Joe! Joe! The Traps are coming” where the mine shaft is like a crucifix), 4 ('The Magistrate’) and 5 ('On Bakery Hill’) are by Noel Counihan. Len Gale drew no.8, 'The Blacksmith’; Peter Miller did no’s 6 (“Burn the Licences!” – a group of men), 10 ('The Sly Grog Seller’) and 'The Pikeman’; Ailsa O’Connor did no.7, 'Building the Stockade’ (and erecting the flag), Pat O’Connor did no.3, 'The Licence Hunt’ (simplified story), Ernie McFarlane did no.9, 'The Blacksmith’ (the second, to complement Gale’s); no.13, 'Trampling the Flag’, is by Naomi Schipp ; no.1, a silk-screen portrait of Peter Lalor is by Ray Wenban and the last of the set, no.14 'After the Battle’ (mother mourning over dead body), is by Mary Zuvella .

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Writers:

Staff Writer

Date written:

1996

Last updated:

2007