Rupert Bunny b. 1864

Also known as Rupert Charles Wolsten Bunny
  • Artist
Australian-born painter Rupert Bunny spent a number of years living and studying in Europe. His work was hung several times in Royal Academy exhibitions in London and in the Paris Salon. Bunny's paintings drew on a wide variety of inspirations from mythology to art nouveau.
Name
Rupert Bunny
Also known as Rupert Charles Wolsten Bunny
Birth date
1864
Death date
25 May 1947
Death place
Melbourne, Vic.
Gender
Male
Roles
  • Artist
Residence
  • 1933- 1947 Melbourne, Vic. (Also visited briefly 1911 and again in 1928 )
  • 1904- 1933 Paris, France
  • 1902- 1903 London, England, UK
  • c.1886- c.1902 Paris, France
  • 1884- 1886 London, England, UK
  • 1864- 1884 Melbourne, Vic.
Other Occupation
  • Composer
  • Art teacher
Active Period
  • c.1881- c.1933
Languages
  • English
Training
  • 1886- 1889 Studies under Jean-Paul Laurens, Paris, France
  • 1884 St John's Wood Art School, London, England, UK
  • 1881- 1884 National Gallery School, Melbourne, Vic.
Is Indigenous
No

Australian painter and printmaker, Rupert Bunny was born on 29 September 1864 in Melbourne, the son of an English-born barrister and Prussian-Polish mother. He studied at the National Gallery School, Melbourne, from 1881 to 1884, where fellow students included E. Phillips Fox , Florence Fuller , John Longstaff , Bertram Mackennal , Arthur Streeton and Tudor St George Tucker .

In 1884, Bunny travelled with his father to Europe and attended the St John’s Wood Art School, London. From 1886 to 1889, he studied in Paris under Jean-Paul Laurens. In his early work, Bunny took his subjects from mythology and the Bible and also painted symbolist landscapes. While living in London from 1902 to 1903, he married former fellow student and favourite model, Jeanne Morel. At this time, he met and received portrait commissions from the Australian musicians Nellie Melba, Ada Crossley, Percy Grainger and also the novelist, Henry Handel Richardson.

From 1904, Bunny and his wife made their home in France, though he did make regular visits to London to see his family and to exhibit. That year, family friend Alfred Felton bequeathed to Bunny a life annuity of £100. In Paris he met Jacques-Emile Blanche and J.D. Fergusson, Fox and Ethel Carrick , and he taught Bessie Davidson, Rose McPherson ( Margaret Preston ), Gladys Reynell and Marie Tuck , who subsequently became good friends. He moved away from idealised subjects towards intimate images of women at leisure indoors, on balconies or sunlit outdoor settings. In 1909, Bunny taught with Blanche and Fergusson. He visited Australia in 1911. In 1912, he was elected societaire of the Societe Nationale des Beaux-Arts, Paris. By 1913 Bunny had started work on a series of mythological decorations, influenced by Post-Impressionism and the decorative approach used by artists such as Fergusson.

During the First World War, Bunny worked in the American Hospital in Paris. Afterwards, he continued to paint mythological subjects and landscapes, mainly of the south of France. He visited Australia in 1928 and, in 1933, he returned to Melbourne to live. His early love of music enriched his last years, when he turned to composing ballet music, working in his South Yarra studio. Rupert Bunny died on 25 May 1947 in a private hospital in Melbourne, aged 82.

Writers:
Gray, Dr Anne Note: Head of Australian Art, National Gallery of Australia, Canberra, ACT
Date written:
2006
Last updated:
2011
associate of
Florence Fuller
1867
Artist (Painter)
associate of
Sir John Longstaff
1861
Artist (Painter)
associate of
Sir Bertram Mackennal
1863
Artist (Sculptor)
associate of
Ethel Carrick Fox
1872
Artist (Painter)
associate of
Margaret Preston
1875
Artist (Painter), Artist (Printmaker), Artist (Ceramist)
associate of
Gladys Reynell
1881
Artist (Printmaker), Artist, Artist (Painter)
associate of
Jacques-Emile Blanche
Non-Artist/Designer/Curator
associate of
Nellie Melba
Non-Artist/Designer/Curator
associate of
Jean-Paul Laurens
Non-Artist/Designer/Curator
associate of
Jeanne Morel
Non-Artist/Designer/Curator
spouse of
Jeanne Morel
Non-Artist/Designer/Curator
associate of
Ada Crossley
Non-Artist/Designer/Curator
associate of
Percy Grainger
Non-Artist/Designer/Curator
associate of
Henry Handel Richardson
Non-Artist/Designer/Curator
associate of
Alfred Felton
Non-Artist/Designer/Curator
associate of
J.D. Fergusson
Non-Artist/Designer/Curator
associate of
Abbey Altson
1866
Artist (Painter)
associate of
George Frederick Henry Bell
1878
Artist (Draughtsman), Artist (Painter), Artist (Printmaker)
associate of
Dorothy Benny
Artist (Textile Artist / Fashion Designer)
child of
Dorothy Benny
Artist (Textile Artist / Fashion Designer)
Unconfirmed attribution
associate of
Robert Richmond Campbell
1902
Artist (Painter)
associate of
Norman St Clair Carter
1875
Artist (Painter), Artist (Glass & metal Artist / Designer)
associate of
Ebenezer Wake Cook
1844
Artist (Photographer), Artist (Painter)
associate of
Bessie Davidson
1879
Artist
associate of
David Davies
1864
Artist (Painter)
associate of
E. Phillips Fox
1865
Artist (Painter)
associate of
Dick Ovenden
1897
Artist (Cartoonist / Illustrator), Artist (Painter)
associate of
Iso Rae
1860
Artist (Painter)
associate of
Hugh Ramsay
1877
Artist (Painter)
associate of
Arthur Streeton
1867
Artist (Draughtsman), Artist (Printmaker), Artist (Painter)
associate of
Marie Tuck
1866
Artist (Printmaker), Artist (Painter)
associate of
Tudor St. George Tucker
1862
Artist (Painter)
The Australian Landscape
1972- 1973
Exhibition (exhibited at)
Art Gallery of South Australia, Adelaide, SA
"The Australian Landscape" was a national touring exhibition organised by the Australian Gallery Directors' Council in 1972. The organising gallery was the Art Gallery of South Australia, and the curators were Daniel Thomas (Art Gallery of New South Wales) Ian North (Art Gallery of South Australia) and Frances McCarthy [later Lindsay] (National Gallery of Victoria). Generous funding from the Peter Stuyvesant foundation enabled the curators to travel the country together in order to make considered judgements. The exhibition opened at the Art Gallery of South Australia on 3 March 1972, and toured to the Western Australian Art Gallery, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Australian National Gallery (temporary premises), Art Gallery of New South Wales, Newcastle City Art Gallery, and the Queensland Art Gallery. The catalogue introduction claims that the exhibition comprised of 'fifty-five of the best Australian landscapes ever executed'. It was characterised by a breadth of vision, with works from every state – including regional galleries and private collections. It is distinguished by having a greater emphasis on colonial works than previous exhibitions, and elevating the reputation of Eugene Von Guerard and John Glover. There were only two works by women – Grace Cossington Smith and Margaret Preston– and none by any Aboriginal artist.
Royal Academy
1898
Exhibition (exhibited at)
Burlington House, Piccadilly, London, England, UK
Paris Salon
1892
Exhibition (exhibited at)
Paris, France
Citations:
  • Spielmann, M. H. (et al), (1898), Royal Academy Pictures 1898, (Place: Cassell and Company, London, UK)
  • Downer, Lesley, (2003), Madame Sadayakko: The Geisha Who Seduced the West, (Place: Gotham Books, New York, USA)
  • Eagle, Mary, (1991), Rupert Bunny: An Australian in Paris, (Place: National Gallery of Australia, Canberra, ACT)
  • Eagle, Mary, (1991), The Art of Rupert Bunny, (Place: National Gallery of Australia, Canberra, ACT)
  • Davidson, Jim, (1990), 'Dame Nellie Melba', (Place: Australian Dictionary of Biography 1891-1939, vol. 12, Melbourne University Press, Melbourne, Vic.)
  • Thomas, David, (1970), Rupert Bunny 1864-1947, (Place: Lansdowne, Melbourne, Vic.)
  • National Gallery of Australia, Canberra, ACT
  • Thomas, D., North, I., & McCarthy F., (1972), The Australian Landscape, (Published by the Art Gallery of South Australia), Type: catalogue
  • Edwards, Deborah, with Mimmocchi, Denise, Thomas, David and Gérard, Anne, (2009), Rupert Bunny : artist in Paris, (Catalogue of an exhibition held at the Art Gallery of New South Wales, Sydney, 21st November 2009 - 21st February 2010, the National Gallery of Victoria, Melbourne and the Art Gallery of South Australia, Adelaide.), Type: catalogue