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Swarm: Alex Davies

by Davies, Alex.

The work focuses on the dynamics of the live surrounding environment as a basis for subsequent acquisition and manipulation of data. Funded by the Australia ...

Remake: Emil Goh

by Goh, Emil.

A new video installation. Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an ...

Etiquette: unthinkable

by Buckley, Brad.

A new installation, the next instalment of the artists ongoing, installation series The Slaughterhouse Project. Funded by the Australia Council and the NSW Ministry for ...

Seismonitor: David Rogers

by Rogers, David.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

Mirror room: Margaret Roberts

by Roberts, Margaret.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

No smoking gun: Maureen Burns

by Burns, Maureen.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

Frequency: Sandra Selig

by Selig, Sandra.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

Detritical Vibration: Mark Brown

by Brown, Mark.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

Kinetoscape: Sharnie Shield

by Shield, Sharnie.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

Nightshift: George Poonkhin Khut, Wendy McPhee

by Khut, George, McPhee, Wendy, Poonkhin Khut, George.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

A crowded hand

by Burgess, Jeff.

An exhibition of small architecturally based sculptures developed in Paris, set in a specifically constructed space. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of ...

Briant, Irene

by Briant, Irene.

A series of ten works, in two and three dimensions, this installation explored ideas about different concepts of space, including architectural space, the created spaces ...

View from the 63rd floor

by Day, Elizabeth.

Incorporating a fully operational hydroponic system, as well as turf and plants in the gallery, Day's work raised ethical issues relating to the urban-country divide. ...

Memento

by Carson, Steven.

Energetic investigation of materials and processes that ties back to artist interests in Australian popular culture, suburban life, historical and contemporary crafts and visual art. ...

[Sub Rosa] ... and so I hasten to turn aside from this extraorinary heat

by Buckley, Brad.

Text-based installation and stripped down imagery on coloured walls. examining the relationships between art and politics. Text and light were utilised to heighten the underlying ...

Not only skins and fabrics

by Keiso, Fassih.

A multi-video projection, phantasmagoric installation of light, sound and image. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS http://www.castgallery.org/exhibition/archive.htm#exhi2001 12/12/05

Too strange

by Calvert, Matt.

A CAST solo commission, Matt Calvert brought to the gallery a distillation of many of his interests and practices of the past few years. Source: ...

The gaze returned

by Broughton, Lindsay.

The Bond Store at the Tasmanian Museum and Art Gallery housed this CAST initiative, which enabled the artist to include works purchased by the Trustees ...

Eyes apart/seams-seems

by Lettau, Karin.

In this exhibition Lettau presents a relationship between the repetitive gestures of making forms with fabric and a symbolism of the human body. Source: Solo ...

Lustgarden

by Paramor, Louise.

Huge cut paper forms created an otherworldly transformation of the gallery space. The sculptures were modelled on concertina-style decorations. Paramor massively increased their scale and ...