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Bennett, Gordon, b. 1955
Acclaimed contemporary Indigenous artist, Gordon Bennett's work explores the role of language and systems of thought in forging identity. Much of his work is concerned ...
Brontë, Hannah, b. 1991
Hannah Brontë explores female empowementr using the visual and aural language of popular culture, hip-hop and slang
Wright, William, b. 1937
As well as an extensive career as an artist Bill Wright became one of the most influential curators of contemporary art in Australia. After directing ...
Contemporary Art And Feminism
CAF is a community of artists, writers, researchers with a common interest in the generative relationship between contemporary art and feminism.
Ledwich, Damien, b. 1955
Late 20th century Queensland political cartoonist, Ledwich became a prolific Union-Media cartoonist in Brisbane after drawing cartoons for the University of Queensland's student newspaper Semper ...
Gitte Weise Gallery

by Gilliland, Hector.

Gitte Weise Gallery operated in both Sydney and Berlin with a strong commitment to contemporary art.

Lookout

by Cuthbert, Adam, Edwards, Michael, Gough, Julie, Harper, Andrew, Keeling, David, Mauro-Flude, Nancy, Robins, Jack, Scott, Mary, Singe, Michael, Stevens, Bec, Stewart, Jane.

Lookout is the sixth project in a series partnered by CAST and the Tasmanian Museum and Art Gallery which aims to promote contemporary Tasmanian artists. ...

The National: New Australian Art

by Gothe-Snape, Agatha, Hunt, Alana, Muffler, Betty, Pumani, Betty Kuntiwa, Robbins, Cameron, Sexton, Benjamin Prabowo, Shoulder, Justin Talplacido, Syed , Abdullah M.I , Tipoti, Alick, Van Hek, Brendan.

The National was a series of three collaborative exhibitions of contemporary art between three Sydney institutions: Art Gallery of New South Wales, the Museum of ...

Frank's Flat

by Larter, Pat.

An exhibition of the works by his favourite artists, collected over many years by Frank Watters. This was the art that filled his flat on ...

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...