Advanced Search
154 results for … adjust search
Results
Don Braden: life on the seas

by Braden, Don.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Wollongong City Gallery annual report

Deb Cox

by Cox, Deb.

Screenwriter, whose television serials include Seachange. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS BCAG exhibition archive; State Library of QLD catalogue

Only the only: Ronnie van Hout

by van Hout, Ronnie.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS http://catalogue.nla.gov.au Exhibition Catalogue: Only the only/ Ronnie van Hout. Sydney: Art Gallery of New ...

Kyle Jenkins

by Jenkins, Kyle.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

Sweet barrier reef: Ken Yonetani

by Yonetani, Ken.

Sugar is used as a much larger metaphor, questioning the environmental impact of our desire to consume. Funded by the Australia Council and the NSW ...

The Erskenville bile story: Deej Fabyc

by Fabyc, Deej.

Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, ...

Songs of Australia Vol 9: Uh-oh the Chinese are coming (take-away mix) (Contemporary project series)

by Danko, Aleks.

An installation in a continuing series of work begun in 1996 and triggered by the contemporary coalition and One nation politics. Source: Solo Survey Exhibition ...

Metamorphosis

by Edwards, Deborah, Helyer, Nigel.

An acoustic sculpture installation Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS GNSW annual report & archive index cards; AGNSW Library catalogue ...

Woodsprites

by Birch, Stephen, Edwards, Deborah.

Birch's 'woods' are free-standing fibreglass trees, carefully crafted and yet obviously fake. His 'sprites' appear amongst the trees, on video and LCD screens. Source: Solo ...

Propulsion 2000

by Meade, John.

John Meade's new two-screen video installation speculates on an individual's transit through a lifespan, using the imagery of a motorcyclist and a man on an ...

Personal eugenics: an installation by John Tonkin

by Tonkin, John.

Continuing the theme of portraiture is an exciting computer-based installation by new media artist John Tonkin. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of ...

The index of possibilities

by Milojevic, Milan.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS TMAG archive printout

Absolute zero, a ganzfeld perceptual environment: William Seeto

by

Supported by Barrisol, Austral Services Group Pty Ltd, the Australia Council for the Arts and RMIT University. An RMIT Faculty of the Constructed Environment exhibition. ...

Kava: Sione Francis

by Francis, Sione.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS RMIT Gallery program

Breath for breath

by Vance, Warren.

A series of specially commissioned works by prominent South Australian practitioners in the Art Museum's North Terrace display window, 24 hour viewing. The Windows series ...

Snow frosting

by Fuller, Helen.

A series of specially commissioned works by prominent South Australian practitioners in the Art Museum's North Terrace display window, 24 hour viewing. The Windows series ...

Rodney Spooner

by Spooner, Rodney.

A series of specially commissioned works by prominent South Australian practitioners in the Art Museum's North Terrace display window, 24 hour viewing. The Windows series ...

Chiaroscuro

by Dickinson, Robert.

Charcoal drawings in response to poems by Jenny Dickinson. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Latrobe Gallery exhibition archive

James Angus

by Angus, James.

By enacting a hypothetical scenario in virtual space, Angus came up with curious objects that represented a soccerball and basketball dropped from the cruising altitude ...

The gasfitter

by Kirby, Shaun.

The ambience of his exhibition was due in part to his experience of two close but distinct cultures, one more structured and tolerantly repressive than ...