Make an exhibition of yourself
Audience participation installation/performance. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of ...
Audience participation installation/performance. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of ...
by Abraham, Brian.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art ...
by de Gruchy, Ian.
A slide installation Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report 1985
by Laing, Rosemary.
Supported by the Blanche Louisa Buttner Bequest Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report 1991 Exhibition Catalogue: Travels ...
by Gill, Simryn, Grayson, Richard.
Simryn Gill constructed two works, (Loot/Poona) was made out of - largely British - books that were from the early to mid part of this ...
by Fereday, Susan, Grayson, Richard.
This exhibition included wall reliefs made from hammer-toned handbags with texts underneath as well as a series of light boxes of images of glamorous office ...
by Boyd, Adam, Grayson, Richard.
Large temporary sculptural installation by Adam Boyd generated through the admixture of chemicals, swirly foamy forms that operated between the determined, the random and the ...
by Carn, Shane, Grayson, Richard.
Shane Carn was awarded a Samstag in 1993. This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, ...
by Adil, Mehmet, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Barwick, Lynne, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Hockley, Simone.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Dady, Johnnie, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Renzi, Filomena.
The artist used easily available technologies to construct simple robotic systems that both echoed the natural world in their movements and remained true to their ...
by Pound, Patrick.
Patrick Pound's work used reproductions of ships, work sent through the post and altered images, to construct a mediation on the ideas and poetics of ...
by Grayson, Richard, Savvas, Nike.
A row of light boxes bearing no image other than layer of blue gel, with the exception of one that bore the X-ray of a ...
by Cullen, Adam, Grayson, Richard.
This work was an array of empty beer bottles on a sheet of MDFG board, a half burnt wax candle head on an empty stereo ...
by Grayson, Richard, To, Hiram.
French photographs from the last century of a matelot were featured in conjunction with a drum kit which had the skins replaced with photographic images ...
by Grayson, Richard, Lee, Lindy.
This installation utilised tachite ink stains, a repeated Chinese ideogram meaning dream/impermanence, and the artist's dark painted and photocopied canvases incorporating details from 'old masters' ...
by Duncan, Colin, Grayson, Richard.
Cardboard boxes were building blocks for a ruin (or a cave or a deserted tomb) and hollowed shells, constructing a melancholy metaphor of previous use, ...
by Grayson, Richard, Rizkalla, Alex.
The starting point was a reflection by Wittgenstein on how words might be placed or generated, whether they are held in place through images. Source: ...