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Barney Tjungurrayi Daniels

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Born at Haasts Bluff in the mid '50s ('ration time'), Barney Daniels received some European schooling at Mungana, a settlement about five miles (8 km) out of Alice Springs. He spent five years in Western Australia working as a stockman at Halls Creek station, then returned to his traditional country at Haasts Bluff and continued droving work on the government cattle station which had been established there, before starting to paint in the mid '80s. He began on small boards, which he sold to the Centre for Aboriginal Artists. He paints Rainbow Snake, Blue Tongue Lizard, Bush Fire, Centipede, Witchetty Grub/Snake and Bush Tucker Dreamings. He describes himself as self-taught. He was one of the pioneers of the style of stippled brushwork backgrounds which is still distinctive of his canvases. He describes his language/tribe as Luritja/Pintupi, though his mother was an Anmatyerre woman from Napperby and his father Warlpiri. He was commissioned by the Australian Bicentennial Authority to paint furniture, including a desk and a TV set, for the touring 1988 Bicentennial exhibition, which also included a life-size sculpture of the artist, one of 20 Australians so represented. In recent years, he has sold mainly through the Gondwana Gallery and other Alice Springs outlets. When interviewed for this dictionary, he was living at Morris Soak in Alice Springs. Collections: Flinders University Art Museum, Langbeach Museum, California. Exhibitions: Gauguin Museum, Tahiti, Feb '88, Tin Sheds, Oct '88. Reference: Aboriginality, J. Isaacs (UQP, 1992)

Vivien Johnson.

Details


Gender:

Male

Birth:

Date:

c. 1955

Place:

Haasts Bluff, Northern Territory, Australia

Period active:

Dates:

1985 - 1988

Medium:

Mixed media

Medium:

Painting

Artwork:

Title:

My statement for living today

Date:

1988

Exhibition:

Title:

Bicentennial Exhibition

Date:

1988

Place:

Australia

Exhibition:

Date:

1988-02

Place:

Gauguin Museum, Tahiti, French Polynesia

Exhibition:

Date:

1988-10

Place:

Tin Sheds, Sydney, New South Wales

Exhibition:

Date:

c. 1990

Place:

Gallery Gondwana, Alice Springs, Northern Territory

Exhibition:

Date:

c. 1990

Place:

Alice Springs, Northern Territory

Collection:

Flinders University Art Museum

Collection:

Langbeach Museum, California

Training:

Place:

Mungana, Northern Territory

Recognition:

Australian Bicentennial Authority comission, 1988

Associated organisation:

Centre for Aboriginal Artists

Residence:

Dates:

c. 1991 -

Place:

Morris Soak, Alice Springs, Northern Territory

Residence:

Place:

Halls Creek, Western Australia

Residence:

Dates:

1955 - 1955

Place:

Haasts Bluff, Northern Territory

Other occupation:

Stockman

Indigenous:

Yes

Heritage country:

Place:

Haasts Bluff, Northern Territory

Language group (indigenous):

Luritja

Language group (indigenous):

Pintupi

Dreaming:

Rainbow Snake

Dreaming:

Blue Tongue Lizard

Dreaming:

Bush Fire

Dreaming:

Centipede

Dreaming:

Witchetty Grub

Dreaming:

Snake

Dreaming:

Bush Tucker

Biographer:

Johnson, Vivien

Note:

primary biographer

Source of info:

Aboriginal Artists of the Western Desert: A Biographical Dictionary

Date written:

Date:

1994

Reference:

Title:

Aboriginality: Contemporary Aboriginal Paintings and Prints

Year:

1992

Author:

Isaacs, Jennifer

Published:

University of Queensland Press, St Lucia, Qld

Summary:

Commenced painting in the mid 1980s for the Centre for Aboriginal Artists in Alice Springs. His work was included in the Australian Bicentennial Exhibition (1988) and is held in major public and private collections. His backgrounds are recognised, in particular, for their stippled brushwork.

Publication details

Artist biography edition created on 2007-11-14 22:47 and last updated on 2007-11-14 22:47
Derived from external source (related id = 5545).
This entry meets DAAO editorial standards but is not peer reviewed
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© Copyright 2007 Dictionary of Australian Artists Online