Barbara Campbell b. 1961

  • Artist (Performance Artist)
Performance artist. For the final work of her residency at the University of Sydney's Centre for Performance Studies, Campbell inscribed her body with motifs that were only visible under ultra-violet light. She revealed them by sweeping a palm-leaf fan with a concealed UV light across her body. It was designed as a counter-work to the the university's Macleay Museum's exhibition 'Adorned.'
Tags: Birds, Electronic poetics
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associate of
University of Sydney's Centre for Performance Studies
Other occupation

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Date modified July 21, 2015, 9:54 a.m. July 21, 2015, 9:42 a.m.
Related events
  • (Performance of Inflorescent) (exhibited at)
  • The diamond necklace affair (exhibited at)
  • Backwash (exhibited at)
  • Flesh winnow: Barbara Campbell: six peformances 1997-2001 (exhibited at)
  • Barbara Campbell: the Grimwade effect (exhibited at)
  • Mike Parr (curator of)
  • Attitude (participated in)
  • Third International Symposium on Electronic Art (TISEA) (participated in)
  • Performance on Screen (curator of)
  • Matinaze 1990 (participated in)
  • Eclipse (curator of)
  • An Original Idea From S.I.N. (participated in)
  • Women at Australian Galleries (exhibited at)
  • Refer to Source (exhibited at)
  • May Day: The Return of Art & Politics in the 21st Century (exhibited at)
  • May Day: The Return of Art & Politics in the 21st Century (exhibited at)
  • (Performance of Inflorescent) (exhibited at)
  • The diamond necklace affair (exhibited at)
  • Backwash (exhibited at)
  • Flesh winnow: Barbara Campbell: six peformances 1997-2001 (exhibited at)
  • Barbara Campbell: the Grimwade effect (exhibited at)
  • Mike Parr (curator of)
  • Attitude (participated in)
  • Third International Symposium on Electronic Art (TISEA) (participated in)
  • Performance on Screen (curator of)
  • Matinaze 1990 (participated in)
  • Eclipse (curator of)
  • An Original Idea From S.I.N. (participated in)
  • Women at Australian Galleries (exhibited at)
  • Refer to Source (exhibited at)
  • May Day: The Return of Art & Politics in the 21st Century (exhibited at)