You are viewing the version of bio from Dec. 28, 2011, 10:25 p.m. , as edited by Joanna Mendelssohn (moderator approved).
Revert to this revision Go to current record
exhibited at
The Australian Landscape
Date
1972 - 1973
Place
Art Gallery of South Australia, Adelaide, SA
Description

“The Australian Landscape” was a national touring exhibition organised by the Australian Gallery Directors’ Council in 1972. The organising gallery was the Art Gallery of South Australia, and the curators were Daniel Thomas (Art Gallery of New South Wales) Ian North (Art Gallery of South Australia) and Frances McCarthy [later Lindsay] (National Gallery of Victoria). Generous funding from the Peter Stuyvesant foundation enabled the curators to travel the country together in order to make considered judgements.
The exhibition opened at the Art Gallery of South Australia on 3 March 1972, and toured to the Western Australian Art Gallery, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Australian National Gallery (temporary premises), Art Gallery of New South Wales, Newcastle City Art Gallery, and the Queensland Art Gallery.
The catalogue introduction claims that the exhibition comprised of 'fifty-five of the best Australian landscapes ever executed’. It was characterised by a breadth of vision, with works from every state – including regional galleries and private collections. It is distinguished by having a greater emphasis on colonial works than previous exhibitions, and elevating the reputation of Eugene Von Guerard and John Glover.
There were only two works by women – Grace Cossington Smith and Margaret Preston– and none by any Aboriginal artist.

Type
Exhibition

Difference between this version and previous

Field This Version Previous Version
Date modified Dec. 28, 2011, 10:25 p.m. Oct. 19, 2011, 1:46 p.m.
References [<ExternalResource: 'National Gallery of Australia, Canberra, ACT'.>, <ExternalResource: Thomas, D., North, I., & McCarthy F. (1972), 'The Australian Landscape'.>, <ExternalResource: Zubans, Ruth (1981), 'Fox, Emanuel Phillips'.>] [<ExternalResource: 'National Gallery of Australia, Canberra, ACT'.>]
Alternative names
  • Emanuel Phillips Fox
  • Emanuel Phillips Fox
Cultural heritages
  • Jewish
Related people
  • Carrick Fox, Ethel (spouse of)
  • Roberts, Tom (associate of)
  • Bunny, Rupert (associate of)
  • Fuller, Florence (associate of)
  • Mackennal, Bertram (associate of)
  • Coates, George (associate of)
  • Lambert, George (associate of)
  • Carrick Fox, Ethel (spouse of)
  • Carrick Fox, Ethel (associate of)
  • Roberts, Tom (associate of)
  • Bunny, Rupert (associate of)
  • Fuller, Florence (associate of)
  • Mackennal, Bertram (associate of)
  • Coates, George (associate of)
  • Lambert, George (associate of)
Related works
  • Bathing hour (L'Heure de Bain) (creator of)
  • Elsie, daughter of H.W. Brooks, Esquire (creator of)
  • Harvesting [The corn field] (creator of)
  • (Portrait of Mary Meyer) (creator of)
  • Sunlight effect (creator of)
  • Bathing hour (L'Heure de Bain) (creator of)
  • Elsie, daughter of H.W. Brooks, Esquire (creator of)
  • Harvesting [The corn field] (creator of)
  • (Portrait of Mary Meyer) (creator of)
  • Sunlight effect (creator of)
Related collections
  • National Gallery of Australia, Canberra, ACT (collected in)
  • Queensland Art Gallery, Brisbane, Qld (collected in)
  • National Gallery of Australia, Canberra, ACT (collected in)
  • Queensland Art Gallery, Brisbane, Qld (collected in)
Related events
  • The Australian Landscape (exhibited at)
Field Changes
Biography