A group of new paintings that presented a particularly idiosyncratic view of contemporary Australian life filtered through the inner-suburban environment, painted on large sheets of foam-core with enamel, spraypaint and ink, Cullen’s paintings moved from a certain lyricism to a more internal form of menace.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Blind side/ Adam Cullen. Adelaide, SA: Experimental Art Foundation, 1999
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