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Curated by Bec Dean and Lizzie Muller, Awfully Wonderful: Science Fiction in Contemporary Art explored a spectrum of seductive, terrifying and fantastic potential futures. The exhibition presented new and existing work by twelve Australian artists including time machines, hand made robots, meteorological instruments, interplanetary communication devices, a mars gravity simulator, wearable technologies and apocalyptic visions.
Curated by Dr Dougal Phillips, “The Grip / La Mainmise” approached the work of artists from Australia and South-East Asia (alongside European peers) through a post-colonial framework that refers to metaphors of childhood, history, and power to explore the practices and concerns of artists from this region.
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