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Citations

  • Neylon, J (1992), 'Cracking the code, Adelaide Review’.

  • Holder, Jo (2009), 'Oo [yes] Maria Cruz 1996-2009, The Cross Art Projects’.

    http://www.crossart.com.au/index.php/Off-site/oo-yes-maria-cruz-1996-2009.html

  • 'Interview with artist; secondary sources’.

  • Sullivan, Eve (1992), 'Maria Cruz a personal epistemology, Eyeline’, Queensland Artworkers Alliance , West End, Queensland.

  • Sullivan, Eve (2002), 'Maria Cruz songlines, Art Asia Pacific’, Queensland Art Gallery Publishing, Brisbane, Queensland.

  • Sullivan, Eve (2003), 'Ways of saying: reflections on the recent paintings of Maria Cruz and Richard Grayson, Art and Australia’, Ure Smith, Sydney, New South Wales.

  • Chiu, M (2000), 'The transcultural dilemma: Asian Australian artists in the Asia debate, Journal of Australian Studies’, Victorian Historical Association, Melbourne, New South Wales.

  • Anna Gibbs (2009), 'Constant Oscillation: Maria Cruz’s 'Oo (yes): selected paintings and projects 1996-2009’, Eyeline’, Queensland Artworkers Alliance , West End, Queensland.

  • Szulakowska, Urszula (1990), 'Mist from the Chest review, Art and Text’, Prahran College of Advanced Education, Prahran, Victoria.

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Related collections
  • Monash University, Melbourne, VIC (collected in)
  • City of Hobart, Tasmania (collected in)
  • Allen Allen & Helmsley, Sydney, NSW (collected in)
  • Cruther's Collection of Women's Art, University of Western Australia, WA (collected in)
  • Museum of Contemporary Art, Sydney, NSW (collected in)
  • Ateneo Art Gallery Collection, Manila, Philippines (collected in)
  • Monash University, Melbourne, NSW (collected in)
  • City of Hobart, Tasmania (collected in)
  • Allen Allen & Helmsley, Sydney, NSW (collected in)
  • Cruther's Collection of Women's Art, University of Western Australia, WA (collected in)
  • Museum of Contemporary Art, Sydney, NSW (collected in)
  • Ateneo Art Gallery Collection, Manila, Philippines (collected in)