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Citations

  • 'Craftsouth website’, Adelaide, South Australia.

    http://www.craftsouth.org.au/profiles/cumpston.html

  • Saines, Deborah Durie (1993), 'Interview with the artist’, Unknown.

  • Lawrence, Kay and Cumpston, Nici pages 234-245 (2007), 'A Story is Like a River: Weaving the Murray’, Melbourne University Press, Anthology titled Fresh Water: New Perspectives on Water in Australia edited by Potter, Emily; Mackinnon, Alison; McKenzie, Stephen; McKay, Jennifer.

    http://catalogue.mup.com.au/978-0-522-85424-4.html

Initial data sources

  • Storylines Project, COFA, UNSW

Difference between this version and previous

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Related events
  • The Challenged Landscape (exhibited at)
  • Shards (exhibited at)
  • Uneasy: Recent South Australian Art (exhibited at)
  • Indigenous Responses to Colonialism - Another Story (exhibited at)
  • The Murray Cod: The Biggest Fish in the River (exhibited at)
  • Holy Holy Holy (exhibited at)
  • Reflections (exhibited at)
  • Nakkondi/Look - Indigenous Australians 1999-2000 (exhibited at)
  • Making Tracks: A Glimpse at Two Decades of Aboriginal Art in South Australia (None)
  • The Challenged Landscape (exhibited at)
  • Shards (exhibited at)
  • Uneasy: Recent South Australian Art (exhibited at)
  • Indigenous Responses to Colonialism - Another Story (exhibited at)
  • The Murray Cod: The Biggest Fish in the River (exhibited at)
  • Holy Holy Holy (exhibited at)
  • Reflections (exhibited at)
  • Nakkondi/Look - Indigenous Australians 1999-2000 (exhibited at)