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associate of
Mr Ian Hobbs
1957
Artist (Photographer), Designer (New Media Artist), Artist (Video Artist)
associate of
Peter Tonkin
1957
Artist (Installation Artist), Architect (Architect / Interior Architect / Landscape Architect)

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References [<ExternalResource: Vernon, Christopher (September-October 2005), "100 Forests/100 Gardens", Architecture Australia.>, <ExternalResource: (2001), 'Intersections of Art and Science', Ivan Dougherty Gallery, Paddington, NSW, exhibition catalogue.>, <ExternalResource: Holder, Jo (1995), 'Casula Powerhouse Regional Art Centre', Art and Australia, Art and Australia, Spring 1995.>, <ExternalResource: Couacaud, Sally, 'Public Art in Sydney', Artlink, vol 14 no 3 Spring 1994.>, <ExternalResource: Cater, Melissa, ''Contemporary History in the Making', Artlink', Artlink, vol. 14 no 3 Spring 1994.>, <ExternalResource: Millner, Jacqueline (10 April 1998), 'Art Sensor', RealTime, p. 41, .>, <ExternalResource: Backen, Robyn (1999), 'Artist Choice: The Holy Face', Art & Australia, p. 348, vol. 36,.>, <ExternalResource: Best, Susan (September/October 2000), 'Public Art in the Olympic City', Architecture Australia, pp. 81 - 85.>, <ExternalResource: Brassil, Joan, 'Robyn Backen: The Archaeology of Bathing', Art & Australia, pp. 72 - 73, Vol. 38, Spring, 2000.>, <ExternalResource: Macgowan, Tempe (Oct/Nov 2000), 'The Art of the Airport', Monument, No. 38, pp. 104 - 107.>, <ExternalResource: Skinner, Peter, 'Funk & Functionality', Architecture Australia, pp. 60 - 63, Vol. 90, No. 1, January/ February.>, <ExternalResource: Chan, Kitty (2009), 'Interview with the artist'.>, <ExternalResource: Couacaud, Sally (2004), '2003 Echigo-Tsumari Triennial', Art & Australia, Vol. 41 No. 4, Winter 2004, pp. 535 - 537.>, <ExternalResource: Powerhouse Museum, 'A10383 Earrings (pair), Bakelite/ rubber/ steel/ wire, Robyn Backen, Australia, 1984', Powerhouse Museum, Sydney, NSW.>] [<ExternalResource: Vernon, Christopher (September-October 2005), "100 Forests/100 Gardens", Architecture Australia.>, <ExternalResource: (2001), 'Intersections of Art and Science', Ivan Dougherty Gallery, Paddington, NSW, exhibition catalogue.>, <ExternalResource: Holder, Jo (1995), 'Casula Powerhouse Regional Art Centre', Art and Australia, Art and Australia, Spring 1995.>, <ExternalResource: Couacaud, Sally, 'Public Art in Sydney', Artlink, vol 14 no 3 Spring 1994.>, <ExternalResource: Cater, Melissa, ''Contemporary History in the Making', Artlink', Artlink, vol. 14 no 3 Spring 1994.>, <ExternalResource: Millner, Jacqueline (10 April 1998), 'Art Sensor', RealTime, p. 41, .>, <ExternalResource: Backen, Robyn (1999), 'Artist Choice: The Holy Face', Art & Australia, p. 348, vol. 36,.>, <ExternalResource: Best, Susan (September/October 2000), 'Public Art in the Olympic City', Architecture Australia, pp. 81 - 85.>, <ExternalResource: Brassil, Joan, 'Robyn Backen: The Archaeology of Bathing', Art & Australia, pp. 72 - 73, Vol. 38, Spring, 2000.>, <ExternalResource: Macgowan, Tempe (Oct/Nov 2000), 'The Art of the Airport', Monument, No. 38, pp. 104 - 107.>, <ExternalResource: Skinner, Peter, 'Funk & Functionality', Architecture Australia, pp. 60 - 63, Vol. 90, No. 1, January/ February.>, <ExternalResource: Saines, Deborah Durie (1993), 'Interview with the artist', Unknown.>, <ExternalResource: Couacaud, Sally (2004), '2003 Echigo-Tsumari Triennial', Art & Australia, Vol. 41 No. 4, Winter 2004, pp. 535 - 537.>, <ExternalResource: Powerhouse Museum, 'A10383 Earrings (pair), Bakelite/ rubber/ steel/ wire, Robyn Backen, Australia, 1984', Powerhouse Museum, Sydney, NSW.>]