Sandra Burt McGrath (b. October 1936) is an American-born Australian art critic, writer, and collector who played a significant role in the Australian art scene from the 1960s onward. Known for her contributions to art criticism, her promotion of Australian artists, and her involvement in cultural philanthropy, McGrath’s career spanned decades, during which she became a prominent figure in both Australian and international art circles.
Born in Birmingham, Alabama, McGrath was raised in a privileged environment. She attended Mount Vernon Seminary and College in Washington, D.C., and later Vassar College, graduating with a Bachelor of Arts in 1958. Her early interests included photography and writing, which she pursued as editor of yearbooks and school newspapers. After graduation, she traveled extensively in Europe before settling in Australia.
In 1959, Sandra married Michael Anthony “Tony” McGrath, an Australian businessman. The couple settled in Sydney, where Sandra became active in the local art scene. By the late 1960s, she was recognized as an emerging commentator on Australian art. She worked at Clune Galleries and organized cultural tours through the Art Gallery of New South Wales. During this time, she began collecting works by leading Australian artists such as John Olsen and Brett Whiteley.
- Art Criticism and Writing
McGrath’s career as an art critic began in earnest in the 1970s. She wrote for publications including The Australian, The Sydney Morning Herald, and Art and Australia. Her writing often explored contemporary art movements and highlighted Australian artists. In 1973, she was appointed as an Australian representative on the International Council of the Museum of Modern Art in New York.
One of her most notable contributions was her 1979 book on Brett Whiteley, the first major publication on the artist. While it received mixed reviews for its lack of scholarly rigor, it was praised for its vivid portrayal of Whiteley’s artistic vision. McGrath also collaborated with John Olsen on The Artist and the Desert (1982), a study of how Australia’s landscapes influenced artistic expression.
- Art Collection and Philanthropy
McGrath was an avid collector of avant-garde art. Her homes featured works by artists such as Jeffrey Smart, Colin Lanceley, and Brett Whiteley. In 1969, she donated John Olsen’s Entrance to the Seaport of Desire to the Art Gallery of New South Wales. She also auctioned parts of her collection in 1975 to support cultural initiatives.
Her philanthropy extended beyond donations; she actively supported young artists through her writing and connections within the art community. McGrath also served on committees for public art projects, including Sydney’s Darling Harbour redevelopment.
- Relationship with Brett Whiteley
McGrath developed a close association with Brett Whiteley in the 1960s and became one of his key advocates. Her book on Whiteley was updated in 1992 following his death but became embroiled in legal disputes over copyright issues related to reproduced material. Despite these controversies, the book remains a significant resource on Whiteley’s life and work.
- Later Years
In the 1990s, McGrath returned to the United States but maintained ties with Australia’s art world. She continued to write about Australian artists and contributed to discussions about art history and criticism.
In her dual roles as a critic and collector Sandra McGrath helped bridge gaps between artists, galleries, and audiences. Her writings on figures like Brett Whiteley and John Olsen remain valuable contributions to Australian art history. Through her advocacy, donations, and critical work, McGrath played an influential role in shaping perceptions of contemporary Australian art during a transformative period for the country’s cultural landscape.
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- Date written:
- 2025
- Last updated:
- 2025
