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Citations

  • Sarah Scott (December 2006), 'Udo Sellbach: harsh truths, strong feelings’.

    http://www.artlink.com.au/articles.cfm?id=2870

  • McCulloch, Alan (1984), 'Encyclopedia of Australian Art’, Hutchinson, 2nd Edition, Hawthorn, Victoria.

  • Wood, Lilian (ed.) (1976), 'Directory of Australian Printmakers’, Print Council of Australia, Melbourne, Victoria.

  • Information sourced from Smith, A.P.

  • (1964), Art & Australia, [02-02].

  • Smith, Bernard (1966), 'The Sellbach Etchings’, Overland 34, [05], pp. 24-28.

See also

  • ''The Target is Man' 1966, illustrated in Bernard Smith, 'The Sellbach Etchings', Overland 34, May 1966, pp. 24-28'.
  • 'Nightwatch series 1993, Tasmanian Museum and Art Gallery, Hobart, Tas. (#5663.2) 1990 artist's proof of men looking at a woman chopped into pieces'.
  • 'Nightwatch series 1993, Tasmanian Museum and Art Gallery, Hobart, Tas.(#5663.1) 1990 artist's proof of men running round a rock with a figure, probably female, playing a pipe on the top'.

Initial data sources

  • Black and white artists

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Related collections
  • National Gallery of Victoria, Melbourne, VIC (collected in)
  • Art Gallery of Western Australia, Perth, WA (collected in)
  • Art Gallery of South Australia, Adelaide, SA (collected in)
  • Geelong Art Gallery, Geelong, VIC (collected in)
  • Newcastle Region Art Gallery, Newscastle, NSW (collected in)
  • Art Gallery of New South Wales, Sydney, NSW, Australia (collected in)
  • National Gallery of Victoria, Melbourne, VIC (collected in)
  • Art Gallery of Western Australia, Perth, WA (collected in)
  • Art Gallery of South Australia, Adelaide, SA (collected in)
  • Geelong Art Gallery, Geelong, VIC (collected in)
  • Newcastle Region Art Gallery, Newscastle, NSW (collected in)
  • Art Gallery of New South Wales, Sydney, NSW, Australia (collected in)