Annette Bezor
by Bezor, Annette.
Autobiographical in a sublime manner in which artist continually reflects on the exposeire in the subjects of her paintings. The diptych serves as vehicle for ...
by Bezor, Annette.
Autobiographical in a sublime manner in which artist continually reflects on the exposeire in the subjects of her paintings. The diptych serves as vehicle for ...
by Grayson, Richard, de Clario, Domenico.
This spooky piece looked at death as part of a continual cycle rather than as an epistemological (dead) end and referenced both the death of ...
by Bush, Stephen.
Organisation and touring; Australian Centre of Contemporary Art, Melbourne, Contemporary Art Centre of South Australia, Adelaide, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA. ...
by Dady, Johnnie.
A series of exhibitions that seek to engage the architectural, geographical, psychological, emotive notions of 'difference' relative to the Contemporary Art Centre of SA's building, ...
by Hamilton, Ian.
The conjunction of the upstairs EAF gallery the modification of space with light led to perhaps the most successful use to which the gallery as ...
by Watt, David.
Exhibited in the gallerea small area. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: ...
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS http://www.cacsa.org.au/archives/index_frames.html (06/12/04)
by Grayson, Richard, Kreckler, Derek.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report
by Hamilton, Antony, Thomas, Sarah.
First major survey of this important artist's work. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGSA annual report; http://www.artgallery.sa.gov.au/hamilton.html Exhibition Catalogue: ...
by Barbour, John.
he works in the exhibition Human Need take as their point of reference the idea of the 'un-made' - of an 'un-making'. Source: Solo Survey ...
by Nixon, John.
Shows focus is on materiality, sacking, masonite, plywood, cardboard, enamel, acrylic and oil paints. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS ...
by Noonan, David.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS State Library of Victoria catalogue Exhibition Catalogue: Head-on: 1997 / David Noonan. Parkside, SA: ...
by Kreckler, Derek.
New photographic and sound/installation works artists first solo exhibition in Adelaide since 1991. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS http://www.cacsa.org.au/archives/index_frames.html ...
Cut crystal [chandeliers, mirrors, etched glass] [re]appears in the work as metaphor and reflection. An interrogation into the separation of absence and presence, subject and ...
by Kerr, David.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art ...
by Dolan, David.
Exhibition, film and discussion of the work Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the ...
by Parr, Mike.
Slide show; Ideology Precedes Art, discussion with Mike Parr. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade ...
by Redgate, Jacky.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art ...
by Grayson, Richard, Popperwell, George.
This was a major work by South Australian based artist George Popperwell. One half of the gallery on entrance was empty, its boundary marked by ...
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Ian Potter University of Melbourne exhibition archive;