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The world is full of doors: a bookwork in an edition of nine

by Hoareau, Thomas, Horeau, Thomas.

Delores -­‐ Welcome to My Koori World

by

Fly to the Four Corners of the World

by Abdel-Aziz, Rashida.

How World War II Began

by WAINBURRANGA, Paddy Fordham.

Howard Morphy (2001), Aboriginal Art. Phaidon Press, London, p.61-2.

Movie world people

by Connor, Kevin.

71 x 91.5 cm

Oil on linen

Spirit World

by Wicks, Jenny M..

Spiritual World Series

by Graham, Vernon.

World's Best Practice?

by Pirard, Deb.

Worn

by Williamson, Liz.

Woronora Bridge Noise Wall and Landscape Design

by Goodwin, Richard.

In collaboration with Oculus and RTA. Design for Woronora River Bridge and approaches, roadscape design and associated works.

Woronora Bridge Walkway Prosthesis

by Goodwin, Richard.

For Better of Worse?: A century of change for South Australian women

by

Margaret Worth

by Worth, Margaret.

Worthy habits and mantles

by Farrell, Rose, Parkin, George.

An exhibtion of six large photographic works by Melbourne artists Rose Farrell and George Parkin, produced during their four month residency at Griffith Artworks, Griffith ...

Wax and Wood Worx

by Knipe, Sherrie.

a GRAMMAR of rEmark [s] and an elaboration of those who would perseCut...[e]...

by Buckley, Brad.

Decor of architectural surfaces that interlace by which the knot, is particular to this installation. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...

Wounds: Between Democracy and Redemption in Contemporary Art

by Parr, Mike.

Three Installations, Echo (A Warring Peace; A Sweet Wound; A Mild Evil)

by Owen, Robert George.

Heavy wounds series no.10

by Xian, Ah.

110 x 90cm

Oil on Canvas

Objects from the Dreaming: Aboriginal Decorated and Woven Objects

by Van Der Byl, Muriel.