by Fuller, Helen, Grayson, Richard.
An auto-biographical/biographical element, with artist continuing her series of works based on her late father's collections, the lists, strategies and objects used and listed as ...
by Bandt, Ros, Britton, Helen, Farman, Nola, Gibbs, Anna, Grayson, Richard.
Carsick was an interactive installation using sound and video which looked at what happens when our expectations of technology literally break down, elements were triggered ...
by Grayson, Richard, Iwanczak, Bronia.
A video installation consisting of a single monitor mounted at the end of a vast grey box that extended across the space - nearly invisible, ...
by Andrew, Brook.
First solo exhibition at the Contemporary Art Centre of South Australia will feature large scale screenprints from a new series of works. Source: Solo Survey ...
by Grayson, Richard, Savvas, Nike.
A row of light boxes bearing no image other than layer of blue gel, with the exception of one that bore the X-ray of a ...
by Duncan, Colin, Grayson, Richard.
Cardboard boxes were building blocks for a ruin (or a cave or a deserted tomb) and hollowed shells, constructing a melancholy metaphor of previous use, ...
by Hart, Anton.
The exhibition is a personal journey into the mind of the neo-romantic, as the artist lays bare his soul. Broader concerns are with the notions ...
by Grayson, Richard, Henderson, Julie.
Installation consisted of various forms of containment and closure which both closed off and delimited, but at the same time allowed leakages and partial escapes. ...
by Kleinert, Ingo.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS wall-based installation
by Murdoch, Peter.
Exhibited in the gallerea small area. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: ...
by Gallois, Mathieu.
The work was a life-sized 'film set' depicting a desert oasis (with plushy-decorated tent, palm trees and sand). The scene was placed on a large ...
by Grayson, Richard, Rizkalla, Alex.
The starting point was a reflection by Wittgenstein on how words might be placed or generated, whether they are held in place through images. Source: ...
by Barwick, Lynne, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Vance, Warren.
Juxtaposing diverse and sometimes decorative materials such as cellophane, plastic flowers and brightly coloured glass, Vance considers the plight of illusion against the imbuement of ...
by Grayson, Richard, Harris, Joanne.
Gas presented works of hesitated meanings, elided links, where implication and the nearly voiced were generated by and between the component elements. Source: Solo Survey ...
by Kirby, Shaun.
The ambience of his exhibition was due in part to his experience of two close but distinct cultures, one more structured and tolerantly repressive than ...
by Henry, Georgi.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS CACSA 'Recollections' 1942-86
by Dady, Johnnie, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Abraham, Brian.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art ...
by Spooner, Rodney.
Brisbane-based artist's first solo exhibition in Adelaide, working with building materials, in particular concrete, transformed the structural fabric of the domestic gallery into what at ...
