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White painting #6

by Yunupingu, Nyapanyapa.

natural earth pigments on stringybark 168.0 (h) x 75.0 (w) cm

earth pigments on stringybark

White still life

by Reece, Petra.

69.5 x 100 cm

Oil on canvas

Whitlam in China Study

by Cattapan, Jon.

Who

by Harris, Brent.

167.6 x 101.6 cm

hand-coloured pressed paper pulp with stencilling and flocking on paper, unique state

Who falls...was

by Dabek, Ryszard.

Screen

Who made you?

by AC-3P.

Screen

Whoosh

by De Clercq, Anouk.

Motion pictures, motion graphics and music interplay in a poetic reflection on our accelerated age. d/Archive

Screen

Why Australian men pay for it

by Anderson, Kevin, Parham, Don.

SBS Television

Moving Image

Why Does a Dog Lick Its Balls?

by Douglas, Blak.

Finalist in 2005 NSW Parliament House Indigenous Art Prize

Why She Cries

by Nain, Clinton.

152 x 92 cm

acrylic, bitumen, varnish, pencil on canvas

Wii Leaf

by Duckworth, Jonathan.

Wii Leaf is an interactive installation that enables participants to explore embodied notions of touch, body movement, and playful experience.

Wilbing

by Andrew, Brook.

Public art commission: Sydney International Airport, Walama forecourt

Wild Times Call

by Foley, Fiona.

William Scott's 'Pan' Form

by Atkins, Peter.

40 x 40 cm

Oil and enamel

Willow 35 litre Wheelie cooler

by Outerspace Design Group Pty Ltd, Willow Ware Australia Pty Ltd.

2007/111/1

Wind Vanes, Ryde Wharf Reserve

by Cavanough, Jane Alison.

Wind in the billows

by Hannigan, Shelley.

Geelong Botanic Gardens Courtesy of: Deakin University.

Window

by Humble, Brenda.

28.5 x 32 cm

Oil on board

Window ledge

by Dunlop, Sophie.

66.5 x 90 cm

Oil on canvas

Windows at Night (Les terrains vagues)

by Stäcker, Anke.

series