by Grayson, Richard, Norrie, Susan.
The exhibition was an extension of a project the artist has been working on over the last few years: a project that interrogates the positions ...
by Grayson, Richard, Ooms, Anne.
An installation that filled the gallery with several islands of furniture - an arm chair, a low table and a lamp - and on every ...
by Grayson, Richard, Whitehorn, Dean.
The visitor walked across the stones, traversing the water, thus becoming the sign within the representation for the electric signal which would traverse the biological/organic ...
by Grayson, Richard, Henderson, Julie.
Installation consisted of various forms of containment and closure which both closed off and delimited, but at the same time allowed leakages and partial escapes. ...
by Grayson, Richard, Vance, Warren.
The space was divided into two parts, the first area contained not only the artists more 'usual' work, found objects, images and material are combined ...
by Grayson, Richard, Reid, John.
Part of the Lawyers, guns & money project. John Reid has been working on a piece made up entirely of Australian banknotes since 1982. The ...
by Grayson, Richard, Piccinini, Patricia.
Funded by Australia Council of the Arts. Patricia Picinnini used nine monitors in a horse shoe shape, which carried the sound and image of a ...
by Grayson, Richard, Tan, Laurens.
Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic ...
by Grayson, Richard, Stevenson, Michael.
Stevenson's work was built around electric buggies which had been accreted with texts and stickers referencing a multitude of concerns, from politics to 'if you ...
by Walsh, Craig.
A window work in the EAF Bookshop by Craig Walsh, a Queensland based artist, looking at ideas of promotion (through representation and window display), production ...
by Andrae, Craige, Grayson, Richard.
This show was part informed by a trip to Europe during which the artist viewed some of the productions of visual arts practice that were ...
by Grayson, Richard, Martin, Rick.
The 'Maria' was a ship wrecked on the south Australian coast in 1840, amongst the eerie landscapes that surround the mouth of the Murray and ...
by Fabyc, Deej, Grayson, Richard.
A large two piece installation. The viewer entered first a kind of antechamber (Strawberry Girl) filled with arrangements, vanity-mirror-style, girlish objects, surrounded by pink & ...
by Grayson, Richard, Sanderson, Lynne.
Sound by Peter Sansom. 'Mutant!' posited powerfully two sets of imagery, each with its own distinctly yet related connotations & associations. On the walls two ...
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Ian Potter University of Melbourne exhibition archive;
by Elder, Leith, Grayson, Richard.
The exhibition conjured a strange kind of surreal space, where objects floated as if we were inside someone else's dream, the elements in the installation ...
by Fuller, Helen, North, Ian.
A collaborative installation cluster set up various vectors throughout the gallery, north invoked the spectre of 1930's fascism in relation to sport, a quest for ...
by Minney, Sarah.
Installation was a recreation of the aural presence of a tennis match. A pair of 1960's Bang&Olufsen speakers so faithfully relayed the pops of volleys, ...
by Bradley, Matthew, Chapman, Chris.
Part of the Gold Card1 series of exhibitions. Three pristine elements that evoked a cool and futuristic ambience, 'The Nola Rose Candidate', suggested a future ...
by Newall, Michael, Rowland, Sally-Ann.
Part of the Gold Card 2 series, a psychotic room was deceptively calm, as if in dream, you might walk across a blue-grey carpet and ...
