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Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Newcastle Gallery exhibition archive; http://www.moranhealthcare.com.au/art/acul.htm (06/09/03)
This latest exhibition of new works, previously shown at Yuill/Crowley Gallery in Sydney was Adam Cullen’s first in Adelaide in four years and since winning The Archibald Prize in 2002.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/archives/index_frames.html (06/12/04)
A group of new paintings that presented a particularly idiosyncratic view of contemporary Australian life filtered through the inner-suburban environment, painted on large sheets of foam-core with enamel, spraypaint and ink, Cullen’s paintings moved from a certain lyricism to a more internal form of menace.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Blind side/ Adam Cullen. Adelaide, SA: Experimental Art Foundation, 1999
ISBN 0949836427
New drawings described as inappropriate realism.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW archive index cards; AGNSW Library catalogue; National Library of Australia catalogue; http://www.client.internode.on.net/gallery/cullen1.htm
Exhibition Catalogue:
Touch and go/ Adam Cullen. [Sydney]: Art Gallery of new South Wales, 1998.
1 folded sheet 93p) ; 21 cm
This work was an array of empty beer bottles on a sheet of MDFG board, a half burnt wax candle head on an empty stereo cabinet and a series of drawings of piano key boards in Texta pen, on the ripped out pages of a register/accounts book (disbursement register). It used ideas of the abject and also layered scratchy metaphors into a consideration of a (pointless) action or repetition, in which an action, or the contained, was always denied.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report