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The third in a series, bringing together previously exhibited works by three Adelaide based artists; allowing for a further reading in a context different to that of the original.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/archives/index_frames.html (23/11/04)
The exhibition was a continuation of a project that Cruickshank has been engaged in from the 'Arcanum Museum’. Previously the work focused on photographs from colonial white Australia, and on which, through the use of computer technology, faces from other (excluded) peoples have been seamlessly insinuated into the frame: suggesting another potential history. This work reversed and expanded the substitutions, whereby Victorian and Edwardian photographs of black people – posed, designed and photographed by white people – were used as the base for the work.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Arcanum museum project/Alan Cruickshank. Adelaide, SA: Alan Cruickshank, c1995
ISBN 064626009X
Exhibition exploring the hard and unrepresentable truth.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Blaze, CACSA, 1990-2002;
http://www.nla.gov.au/(20/12/04)
Exhibition Catalogue:
Cruickshank, Alan, The Arcanum museum. Adelaide, South Australia: Alan Cruickshank, 1995
ISBN 064626009
Computer manipulated necco prints to illustrate and interrogate our fascinated gaze as regards 'the east’, 'Mien’ used the format of the oriental scroll, so that the faces were presented in a series of confronting banners.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Mien: Chinese scrolls, Singapore-Adelaide 1990-93. Adelaide: Alan Cruickshank, 1993
ISBN 0958956812 (prepublication)
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
CACSA exhibition archive