• Black, L., J. Huggins & L. King-Smith, 1994, White Apron – Black Hands, Brisbane City Hall Gallery, Brisbane.

  • King-Smith, L., 1992, Patterns of Connection: An Exhibition of Photo-Compositions with an Environmental Soundscape by Duncan King-Smith, Victorian Centre for Photography, Northcote, 4 April 4 – 3 May 1992.

  • King-Smith, L. 1992, 'The Nineteenth Century Photographs in Patterns of Connection’, Art Monthly Australia supplement (Aboriginal Art in the Public Eye), p. 41.

  • King-Smith, L. 2006, Resonances of Difference: Creative Diplomacy in the Multidimensional and Transcultural Aesthetics of an Indigenous Photomedia Practice, PhD Exegesis, Queensland University of Technology.

See also

  • Williamson, C. 1994, 'Patterns of Connection: Leah King-Smith's Subject', Photofile, no. 41, pp. 28-31.
  • King-Smith, L. 2001, 'Reading the Reading: An Exegesis on 'Traces- Vestiges- Energies- a Relic- Landmark- Stage: New Farm Powerhouse Project'', Masters (research), Queensland University of Technology.
  • Kleinert, S. & M. Neale 2000, 'King-Smith, Leah', in The Oxford Companion to Aboriginal Art and Culture, Oxford University Press, Melbourne.