Citations

  • Neville Drury (Ed) (1998), 'IMAGES 3 Contemporary Australian Painting’, Craftsman House (publisher), Sydney, NSW, Australia, (Painters — Australia. Painting, Australian — 20th century.).

    http://nla.gov.au/anbd.bib-an13731459

  • Grishin, Sasha (1997), 'Australian Printmaking in the 1990s: Artist Printmakers 1990-1995’, Craftsman House (Publisher), Sydney, NSW, Australia, (Dr Sasha Grishin’s pioneering study examines the complex fabric of the art of printmaking in Australia today. Drawing exclusively on the work of Australian artists making prints from 1990 to 1995 he argues for a revival of interest in Australian printmaking in recent years. He identifies three principal reasons for this revival: the impact of new technologies, such as computer-manipulated images and laser prints; the impact of Australian Aboriginal prints; and the new relationship which Australian printmakers are establishing with the Asia Pacific region. Dr Grishin examines closely the activities of 157 leading Australian printmakers. For each artist he provides an overview of their work and reproduces one of their recent prints. Very few of these prints have been reproduced before and they provide a fresh insight into a vigorous art form unknown to much of the Australian art community.).

    http://trove.nla.gov.au/work/15599097

  • Drury, Neville (Ed) (1994), 'IMAGES 2 Contemporary Australian Painting’, Craftsman House(Publisher), Sydney, NSW, Australia, (Painting, Australian – 20th century.; Painting, Australian.; Painting, Modern – 20th century – Australia.).

    http://trove.nla.gov.au/work/23868109

  • D.W. Thorpe in association with National Association for the Visual Arts (Australia) (1995), 'Who’s Who of Australian Visual Artists’, Thorpe, D. W. (Publisher), Melbourne, Vic, Australia, (Artists – Australia – Biography – Dictionaries. | Artists – Australia – Directories. | Artists – Australia – Indexes. | Handicraft – Australia – Directories.).

    http://nla.gov.au/nla.cat-vn762974

  • Verbeek, Ann (Ed.) (1989), 'Directory 1988: Australian Artists producing prints’, Print Council Of Australia (Publisher), Melbourne, Vic, Australia, (Printmakers – Australia – Biography.; Printmakers – Australia – Directories.).

    http://trove.nla.gov.au/work/16626792

  • National Association for The Visual Arts (1989), '• Directory Of Australian Artists’.

  • Curated by Therese Kenyon (2011), 'Hot off The Press, New Directions, Sydney Printmakers, Celebrating 50 Years, 1961 – 2011’, Manly Art Gallery & Museum, Sydney, NSW, Australia, (Exhibiting Members of Sydney Printmakers and History by Tanya Crothers & Barbara Davidson).

    http://library.sl.nsw.gov.au/record=b3776602~S2

  • Professor Sasha Grishin AM, FAHA, The Sir William Dobell, Professor of Art History, Australian National University (2011), 'Sydney Printmakers Fifty Years On, Catalogue Essay’, Australia.

  • Atelier Skara (2008), '“Identity” Utstilling av australsk billedkunst’.

  • Sasha Grishan (2007), 'Striking Highlights in wide style of Prints’, The Canberra Times, Canberra, ACT, Australia, (Exhibition Review page: 9, including Madeleine Tuckfield-Carrano).

  • Anne Ryan, Curator of Australian Prints AGNSW (2006), 'Sydney Prints: 45 Years of the Sydney Printmakers’, National Trust of Australia (NSW) S. H. Ervin Gallery, Sydney, NSW, Australia, (Illustrated catalogue).

  • The Sydney Morning Herald, (2006), 'Sydney Prints, S. H. Ervin Gallery (Image: Full Frontal, Linocut by Madeleine Tuckfield-Carrano)’, The Sydney Morning Herald, Sydney, NSW, Australia, (Exhibition Feature with image Full Frontal, Linocut by Madeleine Tuckfield-Carrano).

  • Hazelhurst Regional Art Gallery (2000), 'Surface Tension’, HazelHurst Regional Art Gallery, Sydney, NSW, Australia, (illustrated exhibition catalogue).

  • Interview with Mark George on RTR-FM – The Breakfast Show Perth, WA. (16 September 1998), '“Light (W)rap”’ Exhibition at Greenhills Gallery Perth.

  • Adam Dutkiewiez (22 February 1995), 'Earthy and Sophisticated’.

  • Art Addiction (1994), 'The First International Graphic Art Exhibition ,Stockholm Sweden 1994’.

  • Michael Hedger (26 August 1994), 'Surprising Fantasy in Imagery dominates excellent Exhibition’.

  • ARTSPACE (1994), 'The First Artspace Open Exhibition’.

  • Kylie Miller (25 June 1994), 'Art’.

  • Lesley Duxbury (1993), 'Big Prints Boom’.

  • Felicity Fenner (10 December 1993), 'Power of Prints’.

  • Therese Kenyon (November 1993), 'Current States – Future Directions’.

  • K. Vernon (1993), 'Sydney Printmakers Exhibition’.

  • LINDEN St. Kilda Arts Centre (1993), 'LINDEN St. Kilda Arts Centre (Calendar), June/August,’.

  • The University of New South Wales (June 1993), 'College of Fine Arts BULLETIN,’.

  • Sonia Baron (29 May 1993), 'Mixed Media Prints’.

  • Michael Hedger (19 April 1993), 'Talent still works in two dimensions’.

  • The Museum Of Modern Art, Wakayama, Japan. (1993), 'The 5th Biennial Exhibition of Prints In Wakayama’, The Museum Of Modern Art, Wakayama, Japan, (Illustrated catalogue of international winners exhibited at The 5th Biennial Exhibition of Prints In Wakayama).

  • Janice McCulloch (1993), 'Profile’, Art Almanac, Sydney, NSW, Australia.

See also

  • Studio One Staff (c.2000), '[Biographical cuttings on Madeleine Tuckfield-Carrano, artist, containing one or more cuttings from newspapers or journals] 1900-1990, English, Published edition.National Library of Australia', National Gallery of Australia Research Library, Canberra, ACT, Australia, (Papers of Studio One 1985-2000). http://nga.gov.au/Research/pdf/Studio%20one%20Finding%20aid.rtf
  • Prints and printmaking Australia Asia Pacific (1997), 'Catalogue of printmakers and other creators'. http://www.printsandprintmaking.gov.au/
  • State Library of Victoria (c.1900), 'Australian Art & Artists collection (AAA)', State Library of Victoria, Melbourne, VIC , Australia, (This is a collection of over 30,000 files containing exhibition material related to Australian art, artists, awards and galleries. Art exhibition catalogues, invitations to exhibitions, press clippings and other ephemeral material from the 19th century onwards are held in this collection.).