Nici Cumpston b. 1963

  • Artist (Photographer)
Nici Cumpston is a photographer who creates images of significant Indigenous cultural landscapes of the Murray/Darling basin. Her images are mostly pencil and watercoloured hand painted black and white images.
You are viewing the version of bio from June 28, 2012, 8:47 a.m. , as edited by fulleg (moderator approved).
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Citations

Initial data sources

  • Storylines Project, COFA, UNSW

Difference between this version and previous

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Date modified June 28, 2012, 8:47 a.m. Dec. 13, 2011, 5:18 p.m.
Related events
  • unDisclosed (exhibited at)
  • In the Balance: Art for a Changing World (exhibited at)
  • The Challenged Landscape (exhibited at)
  • Making Tracks: A Glimpse at Two Decades of Aboriginal Art in South Australia (None)
  • BITE: recent additions to the Flinders University Art Museum Collection (exhibited at)
  • Shards (exhibited at)
  • Uneasy: Recent South Australian Art (exhibited at)
  • Indigenous Responses to Colonialism - Another Story (exhibited at)
  • Power and Beauty, Indigenous Art Now (None)
  • The Murray Cod: The Biggest Fish in the River (exhibited at)
  • Holy Holy Holy (exhibited at)
  • Reflections (exhibited at)
  • Nakkondi/Look - Indigenous Australians 1999-2000 (exhibited at)
  • In the Balance: Art for a Changing World (exhibited at)
  • The Challenged Landscape (exhibited at)
  • Making Tracks: A Glimpse at Two Decades of Aboriginal Art in South Australia (None)
  • BITE: recent additions to the Flinders University Art Museum Collection (exhibited at)
  • Shards (exhibited at)
  • Uneasy: Recent South Australian Art (exhibited at)
  • Indigenous Responses to Colonialism - Another Story (exhibited at)
  • Power and Beauty, Indigenous Art Now (None)
  • The Murray Cod: The Biggest Fish in the River (exhibited at)
  • Holy Holy Holy (exhibited at)
  • Reflections (exhibited at)
  • Nakkondi/Look - Indigenous Australians 1999-2000 (exhibited at)