Citations

  • Cleland, K (2008), 'The new face of portraiture in a digital age’.

    http://www.dlux.org.au/face2face/Cleland_essay.htm

  • n/a (2008), 'Australia Network for Art and Technology, Video Logic Explanation’.

    http://www.anat.org.au/news_items/87

  • Davis, A (2007), 'Imaging the Invisible.’, Realtime and onscreen.

  • Klauser, F (2004), 'A Comparison of the Impact of Protective and Preservative Video Surveillance on Urban Territoriality: The Case of Switzerland.’, Surveillance and Society , 2 (2), pp145-160.

  • Marshal, R.H (1998), ’11:11’, Australia Centre for Photography, Sydney, NSW.

  • (2009), 'The Perplexities of Security: Denis Beaubois’, The Watson Institute for International Studies.

    http://www.watsoninstitute.org

  • Milecki, Devorah (Interviewer) (10 August 2009), 'Interview with Artist’, COFA, UNSW.

  • Mcintyre, Sally (2006), 'Scape 2006 Catalogue 'Don’t Misbehave’', Scape Biennial, New Zealand.

  • Levin, Thomas (2008), 'Video Logic – Agencies of Vision: Remarks on Selected Works by Denis Beaubois’, Museum of Contemporary Art, Sydney, NSW.

  • Levin, Thomas (2001), 'Where’s my tape, man?’: Denis Beaubois and the Performative Politics of Panoptical Detournement, in CTRL [SPACE]’, ZKM Centre for Art and Media, Karlsruhe.

See also